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Titlebook: Gender, the New Woman, and the Monster; Elizabeth D. Macaluso Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive l

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發(fā)表于 2025-3-21 19:40:56 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Gender, the New Woman, and the Monster
編輯Elizabeth D. Macaluso
視頻videohttp://file.papertrans.cn/382/381823/381823.mp4
概述Is the first book on the relationship between the figure of the monster and the New Woman.Views late Victorian femininity, the New Woman and gender through literary representations of the figure of th
圖書封面Titlebook: Gender, the New Woman, and the Monster;  Elizabeth D. Macaluso Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive l
描述.This book views late Victorian femininity, the New Woman, and gender through literary representations of the figure of the monster, an appendage to the New Woman. The monster, an aberrant occurrence, performs Brecht’s “alienation effect,” making strange the world that she inhabits, thereby drawing veiled conclusions about the New Woman and gender at the end of the .fin-de-siècle.. The monster reveals that New Women loved one another complexly, not just as “friend” or “l(fā)over,” but .both. “friend” .and. “l(fā)over.” The monster, like the .fin-de-siècle. British populace, mocked the New Woman’s modernity. She was paradoxically viewed as a threat to society and as a role model for women to follow. The tragic suicides of “monstrous” New Women of color suggest that many .fin-de-siècle. authors, especially female authors, thought that these women should be included in society, not banished to its limits.. This book, the first on the relationship between the figure of the monster and the New Woman, argues that there is hidden complexity to the New Woman. Her sexuality was complicated and could move between categories of sexuality and friendship for late Victorian women, and the way that the .
出版日期Book 2019
關(guān)鍵詞The New Woman; Victorian Monsters; Fin de Siècle; Victorian Sexuality; Women‘s Life Writing; Gender at th
版次1
doihttps://doi.org/10.1007/978-3-030-30476-8
isbn_softcover978-3-030-30478-2
isbn_ebook978-3-030-30476-8
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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https://doi.org/10.1007/978-1-4613-1255-0monstrous figure (a threat to family, nation, and Empire) or a laudable figure (a role model for New Women and women to emulate). The foreign and perverse violence of the monster shows that conflict was embedded in colonialism, the New Woman, sexuality, and poverty at century’s end. Finally, the fig
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Staffing, Training, and Competencyle for bringing him to justice in the end, thereby complicating her stereotypes as rebel and role model. Ultimately, Marjorie Lindon creates a life in resistance to her constructs. She continues her work as a New Woman and advocate for women and marries Lessingham, the man of her choosing, showing t
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https://doi.org/10.1007/978-1-4613-1255-0monster contributes three conclusions to this discussion. (1) The figure of the monster reveals that there was a conflict in culture in Britain at the . between British subjects who held traditional values (conservatives) and those who exhibited progressive viewpoints (New Liberals, radicals, and so
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