Titlebook: Gender, Displacement, and Cultural Networks of Galicia; 1800s to Present Obdulia Castro,Diego Baena,Miriam Sánchez Moreiras Book 2022 The E

cherub

書目名稱Gender, Displacement, and Cultural Networks of Galicia影響因子(影響力)




書目名稱Gender, Displacement, and Cultural Networks of Galicia影響因子(影響力)學(xué)科排名




書目名稱Gender, Displacement, and Cultural Networks of Galicia網(wǎng)絡(luò)公開度




書目名稱Gender, Displacement, and Cultural Networks of Galicia網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Gender, Displacement, and Cultural Networks of Galicia被引頻次




書目名稱Gender, Displacement, and Cultural Networks of Galicia被引頻次學(xué)科排名




書目名稱Gender, Displacement, and Cultural Networks of Galicia年度引用




書目名稱Gender, Displacement, and Cultural Networks of Galicia年度引用學(xué)科排名




書目名稱Gender, Displacement, and Cultural Networks of Galicia讀者反饋




書目名稱Gender, Displacement, and Cultural Networks of Galicia讀者反饋學(xué)科排名

CRASS

Popcorn

把手

Induction

elucidate

elucidate

撤退

Displacement and Rediscovery of a Multifaceted Galician Woman: María Vinyals (1875–?)Galicians, she was forced to move many times, first from Galicia to Madrid, then to Cuba, then briefly back to Spain via Mexico and the United States, and likely dying in Paris during the Nazi occupation. This chapter attempts to recover part of the history of this once well-known but today largely

Enteropathic

The Forest for the Tree: Artist , Taboada and the Galician Transition to Neoliberalismgion in the province of Pontevedra), Wily’s art tells us about an alternative project, of a countercultural nature, which animated a generation born of the transition from Francoism to democracy. This counter-project was shaped through a series of complex artistic dialogues, driven from at least fou

有特色