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Titlebook: Gender, Cinema, Streaming Platforms; Shifting Frames in N Runa Chakraborty Paunksnis,?arūnas Paunksnis Book 2023 The Editor(s) (if applicab

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發(fā)表于 2025-3-21 19:15:59 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Gender, Cinema, Streaming Platforms
副標題Shifting Frames in N
編輯Runa Chakraborty Paunksnis,?arūnas Paunksnis
視頻videohttp://file.papertrans.cn/382/381731/381731.mp4
概述Examines emerging and scarcely researched SVOD platforms in India.Analyses recent developments of gender representation in cinema and SVOD platforms in 21st century India.Evaluates the impact of neoli
圖書封面Titlebook: Gender, Cinema, Streaming Platforms; Shifting Frames in N Runa Chakraborty Paunksnis,?arūnas Paunksnis Book 2023 The Editor(s) (if applicab
描述This book offers interdisciplinary examination of gender representations in cinema and SVOD (Subscription Video on Demand) platforms in India. This book will identify how the so-called feminist enunciations in twenty-first century film and SVOD content in? India are marked by an ambiguous entanglement of feminist and postfeminist rhetoric. Set against the backdrop of two significant contemporary phenomena, namely neoliberalism and the digital revolution, this book considers? how neoliberalism, aided by technological advancement, re-configured the process of media consumption in contemporary India and how representation of gender is fraught with multiple contesting trajectories. The book looks at two types of media—cinema and SVOD platforms, and explores the reasons for this transformation that has been emerging in India over the past two decades. Keeping in mind the complex paradoxes that such concomitant process of the contraries can invoke, the book invites myriad responsesfrom the authors who view the shifting gender representations in postmillennial Hindi cinema and SVOD platforms from their specific ideological standpoints. The book includes a wide array of genres, from commer
出版日期Book 2023
關鍵詞Indian cinema; SVOD; new media; gender; neoliberalism; patriarchy; feminism; postfeminism; violence; digital
版次1
doihttps://doi.org/10.1007/978-3-031-16700-3
isbn_softcover978-3-031-16702-7
isbn_ebook978-3-031-16700-3
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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沙發(fā)
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New Feminist Visibilities and Sisterhood: Re-interpreting Marriage, Desire, and Self-Fulfillment in inist” influx from the west as daily engagement with brands, products, and celebrity rhetoric has endowed contemporary directors to boldly interpret desire and sexual fulfillment in cinema for an aspirational youth emboldened with the neoliberal narrative. Simultaneously, SVOD platforms like Amazon
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Gaze Averted: Interrogating the Portrayal of Menstruation in Hindi Cinemaerefore negating women’s health in the familial budget. In spite of their best effort, the ironic novelty of representation in the films is progressive, but it lacks any real subversion for it is still nascent and tokenistic. Agency is solely derived from a capitalistic patriarchal focus rendered wi
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: The Banality of Rape of the Indian woman protects her from sexual violence, the liberal camp claimed that emancipation of women and breaking-away from patriarchal dogmas would improve their status and contribute to their safety. Despite ideological differences, both parties analysed the circumstances of the rape in sim
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On Cinematic Transformations, Gender, and Religion: An Interview with Ashish Avikunthakapitalism in which economic and political domination is exercised by financial institutions or financiers rather than by industrial capitalists. SVOD platforms, according to him, are not spaces for innovative forms of cinema. Ideologically, he concludes, these platforms continue to proliferate retro
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發(fā)表于 2025-3-23 09:07:27 | 只看該作者
from the authors who view the shifting gender representations in postmillennial Hindi cinema and SVOD platforms from their specific ideological standpoints. The book includes a wide array of genres, from commer978-3-031-16702-7978-3-031-16700-3
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