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Titlebook: Gender and Subjectivities in Early Twentieth-Century Chinese Literature and Culture; Ping Zhu Book 2015 Ping Zhu 2015 culture.fiction.gend

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發(fā)表于 2025-3-21 17:19:52 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱(chēng)Gender and Subjectivities in Early Twentieth-Century Chinese Literature and Culture
編輯Ping Zhu
視頻videohttp://file.papertrans.cn/382/381675/381675.mp4
叢書(shū)名稱(chēng)Chinese Literature and Culture in the World
圖書(shū)封面Titlebook: Gender and Subjectivities in Early Twentieth-Century Chinese Literature and Culture;  Ping Zhu Book 2015 Ping Zhu 2015 culture.fiction.gend
描述Through both cultural and literary analysis, this book examines gender in relation to late Qing and modern Chinese intellectuals, including Mu Shiying, Bai Wei, and Lu Xun. Tackling important, previously neglected questions, Zhu ultimately shows the resilience and malleability of Chinese modernity through its progressive views on femininity.
出版日期Book 2015
關(guān)鍵詞culture; fiction; gender; history of literature; Lu Xun; transformation; women
版次1
doihttps://doi.org/10.1057/9781137514738
isbn_ebook978-1-137-51473-8Series ISSN 2945-7254 Series E-ISSN 2945-7262
issn_series 2945-7254
copyrightPing Zhu 2015
The information of publication is updating

書(shū)目名稱(chēng)Gender and Subjectivities in Early Twentieth-Century Chinese Literature and Culture影響因子(影響力)




書(shū)目名稱(chēng)Gender and Subjectivities in Early Twentieth-Century Chinese Literature and Culture影響因子(影響力)學(xué)科排名




書(shū)目名稱(chēng)Gender and Subjectivities in Early Twentieth-Century Chinese Literature and Culture網(wǎng)絡(luò)公開(kāi)度




書(shū)目名稱(chēng)Gender and Subjectivities in Early Twentieth-Century Chinese Literature and Culture網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書(shū)目名稱(chēng)Gender and Subjectivities in Early Twentieth-Century Chinese Literature and Culture被引頻次




書(shū)目名稱(chēng)Gender and Subjectivities in Early Twentieth-Century Chinese Literature and Culture被引頻次學(xué)科排名




書(shū)目名稱(chēng)Gender and Subjectivities in Early Twentieth-Century Chinese Literature and Culture年度引用




書(shū)目名稱(chēng)Gender and Subjectivities in Early Twentieth-Century Chinese Literature and Culture年度引用學(xué)科排名




書(shū)目名稱(chēng)Gender and Subjectivities in Early Twentieth-Century Chinese Literature and Culture讀者反饋




書(shū)目名稱(chēng)Gender and Subjectivities in Early Twentieth-Century Chinese Literature and Culture讀者反饋學(xué)科排名




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https://doi.org/10.1007/978-3-322-90257-3ation in disgust. The confusion of gender was unacceptable in the writer’s eyes, since it marked the decline of the Chinese national culture from the masculine and robust ideal following the Western model. As David Der-wei Wang puts it, Lu Xun “shares with contemporary intelligentsia a yearning for
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Andrew Cox,Chris Lonsdale,Glyn Watsonng woman:.If the mnemonic woman helped generate Lu Xun’s writing, as I have discussed in the previous chapter, the mourning woman definitely served as Yu Dafu’s muse. By likening himself to a mourning woman who just lost her husband, the romantic writer built an imaginary relationship to China, whic
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Gender and Subjectivities in Early Twentieth-Century Chinese Literature and Culture978-1-137-51473-8Series ISSN 2945-7254 Series E-ISSN 2945-7262
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Book 2015Through both cultural and literary analysis, this book examines gender in relation to late Qing and modern Chinese intellectuals, including Mu Shiying, Bai Wei, and Lu Xun. Tackling important, previously neglected questions, Zhu ultimately shows the resilience and malleability of Chinese modernity through its progressive views on femininity.
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