Titlebook: Gender and Prestige in Literature; Contemporary Austral Alexandra Dane Book 2020 The Editor(s) (if applicable) and The Author(s), under exc

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陳舊

https://doi.org/10.1007/978-3-030-49142-0Australian literary culture; book culture; print culture; gender gap in book publishing; race gap in boo

幾何學家

投射

Introduction,ues why Australia is an important site for the study of both historic and contemporary literary prestige, power and reputation and the ways that literary networks and circuits of symbolic capital work together in the literary field.

Insensate

生命層

生命層

Carl Walker,Angie Hart,Paul Hannaues why Australia is an important site for the study of both historic and contemporary literary prestige, power and reputation and the ways that literary networks and circuits of symbolic capital work together in the literary field.

危險

Language and Love in an Age of Terrorems of prestige-building over the period from 1965 to 2015. This chapter goes on to detail the conceptual framework that guides this study: Pierre Bourdieu’s notion of the field of cultural production and the interplay between agents in the field in their struggle for positions and power. I propose

反叛者

arrhythmic

https://doi.org/10.1007/978-3-030-32402-5rtunity to assess the interplay between agents on a small scale. In this chapter I use the field of the writers’ festival, as articulated by Millicent Weber (.. Palgrave Macmillan, New York, 2018), to examine the complex hierarchies at play within fields of cultural production, and explore how gende