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Titlebook: Gender and Genre; Essays on David Mame Christopher C. Hudgins,Leslie Kane Book 2001 Palgrave Macmillan, a division of Nature America Inc. 2

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31#
發(fā)表于 2025-3-26 23:14:19 | 只看該作者
Oleanna, or, the Play of Pedagogy,r play presented a devastating vision of the tense relationships between men and women in contemporary American society. They pointed to the recurrence of a frequent Mamet theme: the inability of language to elucidate meaning and its use as a weapon of humiliation or concealment. Many provided a cul
32#
發(fā)表于 2025-3-27 05:02:40 | 只看該作者
33#
發(fā)表于 2025-3-27 07:56:08 | 只看該作者
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發(fā)表于 2025-3-27 10:25:03 | 只看該作者
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發(fā)表于 2025-3-27 15:04:04 | 只看該作者
36#
發(fā)表于 2025-3-27 21:24:41 | 只看該作者
,Mamet’s Novelistic Voice,and Mamet readily agrees (.).. To be sure, the strength of both works stems from their idea that the spectacular cannot be and is not more important or representative than the ordinary. The everyday, the seemingly commonplace, can aesthetically suggest something essential and unique in the human con
37#
發(fā)表于 2025-3-28 00:55:24 | 只看該作者
38#
發(fā)表于 2025-3-28 03:01:39 | 只看該作者
39#
發(fā)表于 2025-3-28 08:24:48 | 只看該作者
Investment, Modernization and Efficiency, and die. We as audience and we as artists must work to bring about a theater, an American Theater, which will be a celebration of these things” (. 30). To rescue the commonplace from apparent banality and “ratify [its] universality” has, indeed, long been recognized as a defining characteristic of Wilder’s drama.
40#
發(fā)表于 2025-3-28 13:25:34 | 只看該作者
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