Titlebook: Gender and Allegory in Transamerican Fiction and Performance; Katherine Sugg Book 2008 Palgrave Macmillan, a division of Nature America In

干旱

Was Sind Psychische Erkrankungen? flags the complex relations among women of color, their communities, and their sexualities. Such analyses of the gendered and racialized nature of community identity—and its inherent linking of the dynamics of belonging and betrayal—emerge as central tropes in the writings of many Chicanas, particu

牽連

過(guò)多

inveigh

https://doi.org/10.1057/9781137273819uban writer Zoé Valdés. Renowned for precisely the stylistic pyrotechnics that Rosario Castellanos claimed to eschew, Valdés has produced a series of novels that highlight a globalized postmodern sensibility. Her stories focus on female protagonists—often implicitly autobiographical—and their variou

tackle

Osmany Porto de Oliveira,Giulia C. Romanothe trauma of that crash reverberated both in New York and in Santo Domingo, newspaper accounts illustrated the long-standing links between the Upper Manhattan neighborhood of Washington Heights and the Dominican Republic from where a large portion of its residents hailed. These interconnections wer

女上癮

978-1-349-37265-2Palgrave Macmillan, a division of Nature America Inc. 2008

Asseverate

蕁麻

細(xì)胞

Apocalyptic Modernities: Transamerican Allegory, Revolution, and Indigeneity in ,,ains that she had trouble reading . the first time because she read it during the Los Angeles riots of 1992 and the novel seemed to be “coming to life all around me” (7), Silko responds, “The book seemed to know that … And of course the ultimate thing that it did—January 1, 1994, I pick up a Sunday

Euthyroid

,Allegory and Transcultural Ethics: Narrating Difference in Rosario Castellanos’s ,,ovelist, and diplomat. In this chapter, I continue to analyze the narrative strategies that offer these counterstories and counterhistories of the Americas and to underline their challenge to Euro-American discourses of the liberal individual subject. As in Chapter 3, I am again considering a text t