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Titlebook: Gender and Allegory in Transamerican Fiction and Performance; Katherine Sugg Book 2008 Palgrave Macmillan, a division of Nature America In

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書目名稱Gender and Allegory in Transamerican Fiction and Performance
編輯Katherine Sugg
視頻videohttp://file.papertrans.cn/382/381585/381585.mp4
圖書封面Titlebook: Gender and Allegory in Transamerican Fiction and Performance;  Katherine Sugg Book 2008 Palgrave Macmillan, a division of Nature America In
描述By rethinking contemporary debates regarding the politics of aesthetic forms, Gender and Allegory in Transamerican Fiction and Performance explores how allegory can be used to resolve the "problem" of identity in both political theory and literary studies. Examining fiction and performance from Zoé Valdés and Cherríe Moraga to Def Poetry Jam and Carmelita Tropicana, Sugg suggests that the representational oscillations of allegory can reflect and illuminate the fraught dynamics of identity discourses and categories in the Americas. Using a wide array of theoretical and aesthetic sources from the United States, Latin America, and the Caribbean, this book argues for the crucial and potentially transformative role of feminist cultural production in transamerican public cultures.
出版日期Book 2008
關鍵詞America; fiction; gender; identity; novel
版次1
doihttps://doi.org/10.1057/9780230616219
isbn_softcover978-1-349-37265-2
isbn_ebook978-0-230-61621-9
copyrightPalgrave Macmillan, a division of Nature America Inc. 2008
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https://doi.org/10.1007/978-3-476-02754-2rican modernity of Mexican whites, or .. While . often posits a trans american indigeneity that is directly oppositional to Euro-American modernity, Castellanos’s . de tinieblas highlights the ambiguity of these contacts and attends to the paradoxes of intimate knowledge and violent othering that ma
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Gender and Allegory in Transamerican Fiction and Performance978-0-230-61621-9
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,Allegory and Transcultural Ethics: Narrating Difference in Rosario Castellanos’s ,,rican modernity of Mexican whites, or .. While . often posits a trans american indigeneity that is directly oppositional to Euro-American modernity, Castellanos’s . de tinieblas highlights the ambiguity of these contacts and attends to the paradoxes of intimate knowledge and violent othering that ma
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,Encrypted Diasporas:Writing, Affect, and the Nation in Zoé Valdés’s ,,989. Valdés penned most of her subsequent novels, stories, essays, and poems after she left Cuba in the mid-1990s, and these works often depict the condition of exile shared by so many Cubans of that era’s “diaspora generation,” with a special focus on writers and artists.. The cultural work of lite
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