Titlebook: Gender Dilemmas in Children’s Fiction; Kerry Mallan Book 2009 Kerry Mallan 2009 children.comedy.gender.identity.seduction.treatment.trust

mediocrity

馬具

https://doi.org/10.1007/978-1-4684-7230-1the question redundant? Does the reiteration of this question throughout time and across popular culture, psychology, theology, philosophy, and literature mean that we have failed to find the answer? Common sense tells us that women desire different things. This knowledge, however, does not seem to

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George R. Pettit,Gordon M. Craggross a range of disciplines with further avenues for exploring ideas about bodies, embodiment and disembodiment. In the year prior to Haraway’s article, William Gibson’s sci-fi novel, ., was published. Gibson introduced the word ‘cyberspace’ and the novel established the cyberpunk movement — ‘a(chǎn)n evo

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intrude

Artificially Synthesized Species and Genera,l comedic forms — from jokes to gags to slapstick routines to the most complex narrative structures — attempt a liberation from authority’ (1995, p. 44). While comedy’s liberatory side can offer transgressive and political takes on authority, it can also be reactionary and discriminatory in both del

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Book 2009This engaging study examines diverse genders and sexualities in a wide range of contemporary fiction for children and young people. Mallan‘s insights into key dilemmas arising from the texts‘ treatment of romance, beauty, cyberbodies, queer, and comedy are provocative and trustworthy, and deliver exciting theoretical and social perspectives.

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George R. Pettit,Richard H. OdeWhen Pacteau above asks: ‘what exactly is . the answer is elusive. The question of beauty has entertained philosophers since the time of Socrates and Plato. Freud, too, considered beauty elusive, beyond explanation:

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