Titlebook: Gatekeeping in the Evolving Business of Independent Film Distribution; Roderik Smits Book 2019 The Editor(s) (if applicable) and The Autho

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展覽

Experiments with Direct Distribution in the UKonventional distribution arrangements in order to analyse the involvement of gatekeepers. Against claims of dis-intermediation, I argue that the involvement of gatekeepers remains critical to organise distribution.

GULF

The Historical Development of Film Sales Marketsion community. The chapter also involves a consideration of how the development of sales markets can be understood in analytical terms, and, as such, will be discussed in relation to the concept of field configuring events.

別炫耀

The Gatekeeper Role of Distributors in the Dutch Marketular, I analyse how factors such as reputation and status, taste preferences and networking arrangements work together as important influences in their decision-making process about films. This analysis also sheds light on the concept of gatekeeping networks.

別炫耀

VOD Platforms in the Era of Online Availabilityble distribution for a greater range of films. Such new online opportunities for films will be discussed in relation to notions of cultural democratisation, market fragmentation and long tail economics.

偏離

Changing Circumstances of Gatekeepers-called content aggregators, who enable access for films to VOD platforms. Through a discussion of these various types of gatekeepers, I put several limitations on claims of digital disruption and dis-intermediation.

shrill

,Die Erkrankungen der Augenh?hle,ms, this chapter draws on discussions about processes of value creation within sales markets and competitive events in other fields of cultural activity. I demonstrate that sales markets exert an important influence over gatekeeping by creating social and cultural hierarchies that impact on value creation processes.

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