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Titlebook: Gardens and the Passion for the Infinite; Anna-Teresa Tymieniecka Book 2003 Springer Science+Business Media Dordrecht 2003 Roman Ingarden.

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發(fā)表于 2025-3-25 06:17:20 | 只看該作者
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發(fā)表于 2025-3-25 08:47:10 | 只看該作者
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發(fā)表于 2025-3-25 13:27:21 | 只看該作者
The Formation of Dungeness Foreland,Three authors use landscape gardening in different ways. Tom Stoppard uses this activity to reveal the essence of different historical ages and to highlight the situation facing an intelligent woman in each era. Jane Austen uses attitudes toward landscape gardening to individualize her characters, and Goethe’s use is even more complex.
24#
發(fā)表于 2025-3-25 17:22:47 | 只看該作者
https://doi.org/10.1007/978-3-540-87753-0“.,.” (give us back the sylvan past, take away today’s cities), is Rabindranath Tagore’s (1861–1941) earnest prayer as expressed in the poem “.” (to modern civilization) of his poetical work ...
25#
發(fā)表于 2025-3-25 20:39:12 | 只看該作者
26#
發(fā)表于 2025-3-26 02:09:39 | 只看該作者
The Gardens of Versailles and the SublimeIn envisioning himself as the distinguished guest of Louis XIV in the king’s ., the architectural theorist Vincent Scully refers to his . at a point of the tour offered by the Sun King, and says:
27#
發(fā)表于 2025-3-26 06:26:35 | 只看該作者
Gardens in Stoppard, Austen, and GoetheThree authors use landscape gardening in different ways. Tom Stoppard uses this activity to reveal the essence of different historical ages and to highlight the situation facing an intelligent woman in each era. Jane Austen uses attitudes toward landscape gardening to individualize her characters, and Goethe’s use is even more complex.
28#
發(fā)表于 2025-3-26 09:11:22 | 只看該作者
Aesthetics of Ancient Indian Sylvan Colonies and Gardens: Tagore’s Reflexions“.,.” (give us back the sylvan past, take away today’s cities), is Rabindranath Tagore’s (1861–1941) earnest prayer as expressed in the poem “.” (to modern civilization) of his poetical work ...
29#
發(fā)表于 2025-3-26 15:31:43 | 只看該作者
Late Modernity and ,: “Unsettling” the Object/Event DialecticJohan Fornas, in ., places symbolic communication at the heart of cultural production.. He presents the inherited dialectical understanding of communicative structures and uses the limitations of this construct to investigate potential communicative processes that operate closer to the intersubjective and polyphonic nature of late modern culture.
30#
發(fā)表于 2025-3-26 18:03:44 | 只看該作者
Concepts of Manipulation Robot Control,shed by it. Whether we triumph or are crushed does not depend upon physical reality, but upon our perception of that reality. Thus, what can be a devastating event or series of events can also, when filtered through our perception, become something positive.
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