Titlebook: Gardens and the Passion for the Infinite; Anna-Teresa Tymieniecka Book 2003 Springer Science+Business Media Dordrecht 2003 Roman Ingarden.

不正常

書(shū)目名稱(chēng)Gardens and the Passion for the Infinite影響因子(影響力)




書(shū)目名稱(chēng)Gardens and the Passion for the Infinite影響因子(影響力)學(xué)科排名




書(shū)目名稱(chēng)Gardens and the Passion for the Infinite網(wǎng)絡(luò)公開(kāi)度




書(shū)目名稱(chēng)Gardens and the Passion for the Infinite網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書(shū)目名稱(chēng)Gardens and the Passion for the Infinite被引頻次




書(shū)目名稱(chēng)Gardens and the Passion for the Infinite被引頻次學(xué)科排名




書(shū)目名稱(chēng)Gardens and the Passion for the Infinite年度引用




書(shū)目名稱(chēng)Gardens and the Passion for the Infinite年度引用學(xué)科排名




書(shū)目名稱(chēng)Gardens and the Passion for the Infinite讀者反饋




書(shū)目名稱(chēng)Gardens and the Passion for the Infinite讀者反饋學(xué)科排名

BALE

Mirrors of Affectivity and Aesthetics: Gardens, Parks, and Landscapes as Seen by Theophile de Viau avent and an important contribution to the aesthetic landscape of early modern culture. In the recently published issue of ., “Le Baroque en question(s),” the editor Didier Souiller states with good reason that the relationship between the baroque and classicism has changed ... baroque aesthetics wer

Biomarker

嚙齒動(dòng)物

Approaching Zen Gardens: A Phenomenological-Anthropological Approachblurred. The focused photo provides a clearer view, and an explanation such as “the sand represents waves of the ocean, and the rocks symbolise sacred mountains”, might have wide appeal. Thus seen in focus, the garden can be.read as a text, and we can question the meaning of the details that are vis

施加

Hatha Yoga: A Phenomenological Experience of Natureund us. Our chosen environment separates us from the world of nature. We often leave in the still dark hours, venturing forth from temperature controlled houses, travelling vast distances in temperature controlled cars, to classrooms and offices heated according to budgetary necessity rather than co

ESO

In Search of Paradise: Gardens in Medieval French and Persian Poetryarate it from the disorganized world beyond. Next, the gardener selects those elements from nature that please him, such as fragrant flowers, fruit trees, and running water. He arranges these elements within the garden according to a design that allows him to appreciate each of them to the utmost. T

ESO

The Chinese Attempt to Miniaturize the World in Gardensom which the small courtyard of the “Jade Spring Abode” was reproduced in the Metropolitan Museum of Art (Astor Court) in New York City, or the garden of the “Unsuccessful Politician” (Zhou Zhen Yuam) that painter Weng, Zhen-Ming and poet Yuan Mei frequented, or the garden of “The Lingerer-On” (Liu

核心

Opera as a Mirror of the Infinite: The Triumph of the Human Spirit over Natural Forces in ,shed by it. Whether we triumph or are crushed does not depend upon physical reality, but upon our perception of that reality. Thus, what can be a devastating event or series of events can also, when filtered through our perception, become something positive.

牛馬之尿

The Looking-Glass Self: Self-Objectivation through the Garden, Paca was an eighteenth-century lawyer, revolutionist, signer of the Declaration, Governor of Maryland, Judge of the Federal District Court of Maryland, and anti-federalist. I visited the estate garden for the first time in the summer of 1999 without any intention of formulating a research project;

BIAS

The Fourth Dimension of Artspect to the Lord, he decided to paint on his knees. He set up the easel to the appropriate height, laid down all of his brushes, palette and colors, and after a short prayer, was ready to start. Suddenly he heard a voice coming from above, telling him, “Don’t paint me on your knees, you idiot, but