Titlebook: Game of Thrones - A View from the Humanities Vol. 2; Heroes, Villains and Alfonso álvarez-Ossorio,Fernando Lozano,Cristina R Book 2023 The

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Introduction: The Era of a War on Terror, compared to that of Littlefinger in George R. R. Martin’s saga: characters such as Gaius Scribonius Curio, Aelius Sejanus, or members of Claudius’ and Galba’s entourage. Collateral issues are also discussed: on the one hand, the narrative technique of staging a confrontation between ‘bad’ and ‘good

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https://doi.org/10.1007/978-3-319-50454-4arts that could serve as a source of inspiration for George R. R. Martin. As Plutarch did with his series of biographies commonly called ., a comparison will be made with several historical characters that might be considered the . of the main members of House Lannister: Tywin and Richard Neville, e

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American Presidential Statecraftenouements. Similarly, drawing on Aristotle’s ., they could equally be considered tragic from a strictly literary perspective. Eddard Stark in Martin’s . is portrayed as a tragic hero whose story reaches its greatest complexity when he recognises the nature of his error, which has changed the direct

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,American Sea Literature—, the Sea,entieth century and, above all, during the Cold War, it became very tempting to include in literary works the idea of two cities destined to be enemies. George R. R. Martin, in . creates his own Punic Wars, renaming them in his work the ‘Ghiscari Wars’. This article investigates the similarities and

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“American Livestock, Now Slaves in Algiers”d punishments, fair or not, that evoke the application of identical procedures in ancient times, especially in the Roman world. At the beginning of the first book, as well as in HBO’s TV series opening episode, we witness the beheading of a sworn brother of the Night’s Watch. It is the first of many