| 書目名稱 | From La Strada to The Hours | | 副標(biāo)題 | Suffering and Sovere | | 編輯 | Vivian Pramataroff-Hamburger,Andreas Hamburger | | 視頻video | http://file.papertrans.cn/349/348752/348752.mp4 | | 概述 | Provides film psychoanalysis and film studies of sovereign women.Includes both current films and film classics.Traces how the staging of the woman in the film affects viewers | | 圖書封面 |  | | 描述 | .The book covers a wide range of cinematic femininities: It starts with Marilyn Monroe’s cool phrase "We are all of us stars, and we deserve to twinkle", which self-confidently marked her profession - with a wink, because she did not say "to sparkle". The (self-) staging of women also ironically plays its being tailored to the male gaze. In this section we discuss movies like .Some like it hot, Breakfast at Tiffany’s, Cet obscur objet du désir .and. Le Mépris.? - with a notable chapter by Laura Mulvey. Moreover, some fifty films later, the book ends with a section on Self-Empowerment and Identity, featuring films like .Thelma & Louise, The Hours, Blue Valentine .and. Carol...Are women in film really just those who are seen and displayed? Where are the ones who see and who point to something themselves? Where are the women in the audience, behind the camera? If, as feminist psychoanalytical film criticism rightly observes, the stars and starlets, especially in Hollywood mainstream cinema, are supposed to serve the male gaze as eye candy and self-assurance, what is the role of the women who do not fit into this scheme, the anti-heroes, the women who feel and act, those through whose | | 出版日期 | Book 2024 | | 關(guān)鍵詞 | film psychoanalysis; female gaze; femaleness; cinematography; film history | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-662-68789-5 | | isbn_softcover | 978-3-662-68788-8 | | isbn_ebook | 978-3-662-68789-5 | | copyright | The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer-Verlag GmbH, DE |
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