| 書目名稱 | From Fairy Tale to Film Screenplay | | 副標(biāo)題 | Working with Plot Ge | | 編輯 | Terence Patrick Murphy | | 視頻video | http://file.papertrans.cn/349/348676/348676.mp4 | | 圖書封面 |  | | 描述 | In .Screenplay: The Foundations of Screenwriting. (1979), Syd Field first popularized the Three-Act Paradigm of Setup, Confrontation and Resolution for conceptualizing and creating the Hollywood screenplay. For Field, the budding screenwriter needs a clear screenplay structure, one which includes two well-crafted plot points, the first at the end of Act I, the second at the end of Act II. By focusing on the importance of the four essentials of beginning and end, and the two pivotal plot points, Field did the Hollywood film industry an enormous service. Nonetheless, although he handles the issue of overall structure expertly, Field falls down when offering the screenwriter advice on how to successfully build each of the three individual Acts. This is because Field did not recognize the importance of another layer of analysis that underpins the existence of plot points. This is the level of the plot genotype..This book will offer you a richer theory of plot structurethan the one Field outlines. It will do this not by contradicting anything Field has to say about the Hollywood paradigm, but by complementing it with a deeper level of analysis. Plot genotypes are the compositional schem | | 出版日期 | Book 2015 | | 關(guān)鍵詞 | Aristotle; character action; fairy tale; Joseph Campbell; Hollywood screenplay; narratology; poetics; plot | | 版次 | 1 | | doi | https://doi.org/10.1057/9781137552037 | | isbn_softcover | 978-1-349-56129-2 | | isbn_ebook | 978-1-137-55203-7 | | copyright | The Editor(s) (if applicable) and The Author(s) 2015 |
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