| 書目名稱 | Framing the Holocaust in Polish Aftermath Cinema | | 副標(biāo)題 | Posthumous Materiali | | 編輯 | Matilda Mroz | | 視頻video | http://file.papertrans.cn/348/347640/347640.mp4 | | 概述 | Provides an innovative account of how Polish cinema is responding to new histories of the Holocaust, as Polish perpetration, bystanding and witnessing in rural and provincial spaces is being reconceiv | | 叢書名稱 | Palgrave Film Studies and Philosophy | | 圖書封面 |  | | 描述 | .This book offers a unique perspective on contemporary Polish cinema’s engagement with histories of Polish violence against their Jewish neighbours during the Holocaust. Moving beyond conventional studies of historical representation on screen, the book considers how cinema reframes the unwanted knowledge of violence in its aftermaths. The book draws on Derridean hauntology, Didi-Huberman’s confrontations with art images, Levinasian ethics and anamorphosis to examine cinematic reconfigurations of histories and memories that are vulnerable to evasion and formlessness. Innovative analyses of .Birthplace. (?oziński, 1992), .It Looks Pretty From a Distance. (Sasnal, 2011), .Aftermath. (Pasikowski, 2012), and .Ida .(Pawlikowski, 2013) explore how their rural filmic landscapes are predicated on the radical exclusion of Jewish neighbours, prompting archaeological processes of exhumation. Arguing that the distressing materiality of decomposition disturbs cinematic composition, the book examines how Poland’s aftermath cinema attempts to recompose itself through form and narrative as it faces Polish complicity in Jewish death.. | | 出版日期 | Book 2020 | | 關(guān)鍵詞 | history; Holocaust; memory; memory studies; World War II | | 版次 | 1 | | doi | https://doi.org/10.1057/978-1-137-46166-7 | | isbn_softcover | 978-1-349-69013-8 | | isbn_ebook | 978-1-137-46166-7Series ISSN 2946-5435 Series E-ISSN 2946-5443 | | issn_series | 2946-5435 | | copyright | The Editor(s) (if applicable) and The Author(s) 2020 |
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