| 書目名稱 | Film, Form and Phantasy | | 副標(biāo)題 | Adrian Stokes and Fi | | 編輯 | Michael O’Pray | | 視頻video | http://file.papertrans.cn/343/342803/342803.mp4 | | 叢書名稱 | Language, Discourse, Society | | 圖書封面 |  | | 描述 | This book explores the ideas of the neglected English aesthetician and art historian, Adrian Stokes. Stokes‘s Kleinian-based concepts of carving and modelling are analysed in relation to film, arguing that they replace the traditional notions of realism and montage in film theory and provide a set of aesthetics which encompasses mainstream and ‘a(chǎn)rt‘ cinema. This Kleinian psychoanalytic approach is offered to the films of Eisenstein, Rossellini, Hitchcock and others. | | 出版日期 | Book 2004 | | 關(guān)鍵詞 | aesthetics; Alfred Hitchcock; Analyse; cinema; film; Interpretation; John Ford; realism; Tradition | | 版次 | 1 | | doi | https://doi.org/10.1057/9780230535770 | | isbn_ebook | 978-0-230-53577-0Series ISSN 2947-0188 Series E-ISSN 2947-0196 | | issn_series | 2947-0188 | | copyright | Palgrave Macmillan, a division of Macmillan Publishers Limited 2004 |
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