| 書目名稱 | Film Professionals in Nazi-Occupied Europe | | 副標(biāo)題 | Mediation Between th | | 編輯 | Pavel Skopal,Roel Vande Winkel | | 視頻video | http://file.papertrans.cn/343/342778/342778.mp4 | | 概述 | Presents a new bottom-up approach to the topic of film in occupied territories.Uses case studies from Belgium, Czechoslovakia, France, the Netherlands, Norway, Poland and the Soviet Union.Offers a uni | | 圖書封面 |  | | 描述 | .This book analyses the film industries and cinema cultures of Nazi-occupied countries (1939-1945) from the point of view of individuals: local captains of industry, cinema managers, those working for film studios and officials authorized to navigate film policy. The book considers these people from a historical perspective, taking into account their career before the occupation and, where relevant, pays attention to their post-war lives. The perspectives of these historical agents” contributes to an understanding of how top-down orders and haphazard signals from the occupying administration were moulded, adjusted and distorted in the process of their translation and implementation. This edited collection offers a more dynamic and less deterministic approach to research on the international expansion of Third-Reich cinema in World War Two; an approach that strives to balance the role of individual agency with the structural determinants. The case studies presented in this book coverthe territories of Belgium, Czechoslovakia, France, the Netherlands, Norway, Poland and the Soviet Union.. | | 出版日期 | Book 2021 | | 關(guān)鍵詞 | Film Production; Cinema Industry; Third Reich; Occupation; Historical Agency; Cultural Transfer | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-030-61634-2 | | isbn_softcover | 978-3-030-61636-6 | | isbn_ebook | 978-3-030-61634-2 | | copyright | The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl |
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