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Titlebook: Females in the Frame; Women, Art, and Crim Penelope Jackson Book Aug 20191st edition The Editor(s) (if applicable) and The Author(s) 2019 c

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書目名稱Females in the Frame
副標(biāo)題Women, Art, and Crim
編輯Penelope Jackson
視頻videohttp://file.papertrans.cn/342/341859/341859.mp4
概述Marks the first book to examine women art criminals.Explores how art crimes committed by women differ in motivation, scale, and results when compared with men.Catalogues art crimes under familiar trop
圖書封面Titlebook: Females in the Frame; Women, Art, and Crim Penelope Jackson Book Aug 20191st edition The Editor(s) (if applicable) and The Author(s) 2019 c
描述.This book explores the untold history of women, art, and crime. It has long been widely accepted that women have not played an active role in the art crime world, or if they have, it has been the part of the victim or peacemaker. .Women, Art, and Crime. overturns this understanding, as it investigates the female criminals who have destroyed, vandalised, stolen, and forged art, as well as those who have conned clients and committed white-collar crimes in their professional occupations in museums, libraries, and galleries. Whether prompted by a desire for revenge, for money, the instinct to protect a loved one, or simply as an act of quality control, this book delves into the various motivations and circumstances of women art criminals from a wide range of countries, including the UK, the USA, New Zealand, Romania, Germany, and France. Through a consideration of how we have come to perceive art crime and the gendered language associated with its documentation, this pioneering study questions why women have been left out of the discourse to date and how, by looking specifically at women, we can gain a more complete picture of art crime history.?.
出版日期Book Aug 20191st edition
關(guān)鍵詞criminals; forge; theft; gallery; painting; gender; language; art crime; history; motherhood; vandals; dealer
版次1
doihttps://doi.org/10.1007/978-3-030-20766-3
copyrightThe Editor(s) (if applicable) and The Author(s) 2019
The information of publication is updating

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