找回密碼
 To register

QQ登錄

只需一步,快速開始

掃一掃,訪問微社區(qū)

打印 上一主題 下一主題

Titlebook: Etudes on the Philosophy of Music; Juozas Rimas,Juozas Rimas Jr. Book‘‘‘‘‘‘‘‘ 2024 The Editor(s) (if applicable) and The Author(s) 2024 20

[復(fù)制鏈接]
樓主: 初生
41#
發(fā)表于 2025-3-28 14:43:23 | 只看該作者
http://image.papertrans.cn/f/image/320748.jpg
42#
發(fā)表于 2025-3-28 20:01:13 | 只看該作者
43#
發(fā)表于 2025-3-29 01:55:53 | 只看該作者
44#
發(fā)表于 2025-3-29 05:02:30 | 只看該作者
Something About Rhythm,ent poetic composition. Melodic rhythm expresses the true accents of the music. Also, there is a demonstration of the energetic quality of musical movement illustrated by a recording of . by Jean Sibelius (Op. 81, No. 2) for oboe and piano, with the author playing oboe.
45#
發(fā)表于 2025-3-29 10:02:37 | 只看該作者
The Difference Between Articulation and Phrasing, a phrase are combined or separated. The views of H. Riemann and H. Keller on the difference between articulation and phrasing. Articulatory slurs: . slurs, slurs of phrasing and structural slurs. Articulatory purpose (I. Braudo).
46#
發(fā)表于 2025-3-29 11:57:21 | 只看該作者
The Origin of Music and Its Specific Characteristics (the Historical-Ontological Aspect),, which H. Gadamer defines as a constant hermeneutic movement guided by anticipation of the whole. Without expression, a piece of music is only the potential repository of intonations and a question in suspense awaiting an answer (and this answer is an expression which fulfils the idea of the work).
47#
發(fā)表于 2025-3-29 16:33:29 | 只看該作者
48#
發(fā)表于 2025-3-29 22:56:24 | 只看該作者
Some Principles of Baroque Aesthetics Which Are Important for Musical Expression,an musicologist G. Daunoravi?ien?, intellectual and affective communication between the orator/music and listener characteristic of the Baroque aesthetic means that not only the former (the addresser) but also the latter (the addressee) participates in the becoming of the work. Mention of other prin
49#
發(fā)表于 2025-3-30 03:01:25 | 只看該作者
Voice and Sound,e Lithuanian folk song . (“O, you little fir tree”); . by the Lithuanian composer J. Indra (1918–1968) and the Lithuanian folk song . (“Green rue”)..Brief discussion of various aspects of vocal quality of sound expression and historical examples: ., ., instrumental obligatos of the arias of cantatas
50#
發(fā)表于 2025-3-30 06:29:54 | 只看該作者
 關(guān)于派博傳思  派博傳思旗下網(wǎng)站  友情鏈接
派博傳思介紹 公司地理位置 論文服務(wù)流程 影響因子官網(wǎng) 吾愛論文網(wǎng) 大講堂 北京大學(xué) Oxford Uni. Harvard Uni.
發(fā)展歷史沿革 期刊點評 投稿經(jīng)驗總結(jié) SCIENCEGARD IMPACTFACTOR 派博系數(shù) 清華大學(xué) Yale Uni. Stanford Uni.
QQ|Archiver|手機(jī)版|小黑屋| 派博傳思國際 ( 京公網(wǎng)安備110108008328) GMT+8, 2025-10-8 14:43
Copyright © 2001-2015 派博傳思   京公網(wǎng)安備110108008328 版權(quán)所有 All rights reserved
快速回復(fù) 返回頂部 返回列表
峨眉山市| 临泽县| 青田县| 陆丰市| 青浦区| 邹城市| 郸城县| 和政县| 濉溪县| 长汀县| 龙山县| 建瓯市| 霸州市| 乐东| 大理市| 绥阳县| 疏附县| 德惠市| 垫江县| 左权县| 新宾| 安庆市| 宝丰县| 乌兰察布市| 泰来县| 赤水市| 通道| 阜城县| 闽侯县| 雅安市| 达日县| 盘山县| 内乡县| 五华县| 珠海市| 绵阳市| 三台县| 双流县| 丰顺县| 兖州市| 栖霞市|