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Titlebook: Emotions and Contingencies in Conrad‘s Fiction; Yoko Okuda Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive lice

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發(fā)表于 2025-3-25 07:10:17 | 只看該作者
https://doi.org/10.1007/978-3-030-82559-1 analyzes a climactic scene in terms of ‘bodily eyes’ and the ‘mind’s eye.’ The chapter concludes that the captain succeeds in developing the physical sense that is imperative for commanding a ship by first developing it in relation to the stowaway and then in relation to the ship.
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發(fā)表于 2025-3-25 10:37:20 | 只看該作者
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發(fā)表于 2025-3-26 01:13:01 | 只看該作者
Surprise, Anger, and Obsessive Thought:ntext of security and insecurity, and the third in the context of selflessness and selfishness. The chapter concludes that a close examination shows that there is a human tendency to follow a typical sequence of emotions—from surprise to anger, and from anger to obsessive thought.
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發(fā)表于 2025-3-26 06:55:06 | 只看該作者
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發(fā)表于 2025-3-26 12:18:16 | 只看該作者
‘The Feel of the Ship’: ‘The Secret Sharer’ analyzes a climactic scene in terms of ‘bodily eyes’ and the ‘mind’s eye.’ The chapter concludes that the captain succeeds in developing the physical sense that is imperative for commanding a ship by first developing it in relation to the stowaway and then in relation to the ship.
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發(fā)表于 2025-3-26 16:29:10 | 只看該作者
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發(fā)表于 2025-3-26 18:01:48 | 只看該作者
Conclusion Conrad’s dual perspective derives from his experience as a seaman and that it underlies not only his moral vision but also his view of art. The theme of emotions and the theme of contingencies are important themes, because they are closely connected with Conrad’s dual perspective.
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