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Titlebook: Emergent Poetics; Ecological Sites in Travis W. Matteson Book 2025 The Editor(s) (if applicable) and The Author(s), under exclusive licens

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發(fā)表于 2025-3-21 19:54:52 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Emergent Poetics
副標(biāo)題Ecological Sites in
編輯Travis W. Matteson
視頻videohttp://file.papertrans.cn/321/320552/320552.mp4
概述Synthesizes several contemporary trends in literary theory into a coherent analytical methodology of medium neutrality.Intervenes in the urgent debate about how literature responds to the climate cris
叢書名稱Modern and Contemporary Poetry and Poetics
圖書封面Titlebook: Emergent Poetics; Ecological Sites in  Travis W. Matteson Book 2025 The Editor(s) (if applicable) and The Author(s), under exclusive licens
描述.This book proposes the term ‘emergent poetics‘ to synthesize two divergent strands in contemporary literary media theory - the media archaeology of material inscriptions and the systems view of media ecology, which considers media as complex nodes of exchange. Emergent poetics emphasizes the speculative, non-prosthetic quality of media: the anthrodecentric perspective that media do not simply extend human senses, but instead consist of properties that exceed human apprehension. This study builds on Eve Kosofky Sedgwick’s theory of reparative reading, contemporary media theory, and Bruno Latour’s Actor-Network Theory, which are united in their skepticism regarding the paranoid “unveiling” gesture of institutional critique, their emphasis on methodology rather than theoretical ideology, and their insistence on assembling rather than deconstructing. In response to these three trends, this project begins by attending to what Jerome McGann calls the bibliographic code (material forms), while simultaneously expanding this medium specific perspective by situating written works within their broader media ecosystems, tracing interactions among media, humans, and nonhumans..
出版日期Book 2025
關(guān)鍵詞Poetry; Poetics; Medium Neutrality ; Reparative Reading; Contemporary Media Theory; Actor-Network Theory;
版次1
doihttps://doi.org/10.1007/978-3-031-70737-7
isbn_softcover978-3-031-70739-1
isbn_ebook978-3-031-70737-7Series ISSN 2634-6052 Series E-ISSN 2634-6060
issn_series 2634-6052
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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,Photogram as Poetic Method: Susan Howe’s Materialist Telepathy,g poem . (2010). This long poem, published as a single volume and collected in . (2010), features several photograms by James Welling. A photogram, or cameraless photograph, is a kind of shadowy contact print made using an object rather than a photographic negative. I ask what Howe’s remediation of
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Environmental Textuality in the Ambient Web,f Tan Lin to locate emergent poetics at the center of a theory of textuality for the twenty-first century. Ambience has been part of Tan Lin’s poetic project for nearly two decades, despite (or perhaps because of) its definitional slipperiness and fundamental ambiguity. For Lin, a poet often associa
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Introduction,ffered engaging and fruitful alternatives to (or reappraisals of) traditional critique, but in this project, I suggest that literary criticism should follow rather than lead. The most compelling and constructive alternatives to critique today are to be found in contemporary innovative poetics.
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2634-6052 orms), while simultaneously expanding this medium specific perspective by situating written works within their broader media ecosystems, tracing interactions among media, humans, and nonhumans..978-3-031-70739-1978-3-031-70737-7Series ISSN 2634-6052 Series E-ISSN 2634-6060
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