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Titlebook: Ezra Pound; A Literary Life Ira B. Nadel Book 2004 Ira B. Nadel 2004 biography.drawing.Europe.fragment.George Eliot.history.knowledge.Moder

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發(fā)表于 2025-3-21 20:05:20 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Ezra Pound
副標(biāo)題A Literary Life
編輯Ira B. Nadel
視頻videohttp://file.papertrans.cn/321/320156/320156.mp4
叢書名稱Literary Lives
圖書封面Titlebook: Ezra Pound; A Literary Life Ira B. Nadel Book 2004 Ira B. Nadel 2004 biography.drawing.Europe.fragment.George Eliot.history.knowledge.Moder
描述Drawing on a series of new sources, this biography of Ezra Pound - the first to appear in more than a decade - outlines his contribution to modernism through a detailed account of his development, influence and continued significance. It pays special attention to his role in creating Imagism, Vorticism and the modern long poem, as well as his importance for Yeats, Joyce and Eliot. His roles as editor, translator and critic, plus his attempt to complete The Cantos , are also studied.
出版日期Book 2004
關(guān)鍵詞biography; drawing; Europe; fragment; George Eliot; history; knowledge; Modernism; music; poem; translator; Wil
版次1
doihttps://doi.org/10.1057/9780230378810
isbn_softcover978-0-333-58257-2
isbn_ebook978-0-230-37881-0Series ISSN 2946-2037 Series E-ISSN 2946-2045
issn_series 2946-2037
copyrightIra B. Nadel 2004
The information of publication is updating

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發(fā)表于 2025-3-21 23:19:29 | 只看該作者
Literary Liveshttp://image.papertrans.cn/f/image/320156.jpg
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Ezra Pound978-0-230-37881-0Series ISSN 2946-2037 Series E-ISSN 2946-2045
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發(fā)表于 2025-3-22 08:56:45 | 只看該作者
Intensivtherapie bei Kreislaufversagenterature, politics or morals. In many ways, of course, this was justified as he threatened, if not overturned, outdated poetic practice, political attitudes, social behaviour and literary reputations, while marshalling the arrival of modernism and the departure of Victorianism. Universities fired hi
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Pathologie des endotoxischen Schocks,bout a late summer stop in the dreamlike and alluring city, while Claude Monet settled for two-and-a-half months to paint. That same summer, Rilke sat in Paris and wrote three poems about the world Ruskin called ‘the amphibious city.’. Pound arrived in Venice after stops in Gibraltar, Tangiers, Cadi
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https://doi.org/10.1007/978-94-009-4520-3vilizing of Europe: ‘each time a strong, live energy is unleashed in Italy, a new renaissance comes forth.’ ‘English stupidity and French imbecility’ also drove him to Italy where the only viable comparison to its leader, Mussolini, is Jefferson. Furthermore, ‘without a strong Italy, I don’t see the
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