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Titlebook: Exploring Transdisciplinarity in Art and Sciences; Zo?‘Kapoula,Emmanuelle Volle,Moreno Andreatta Book 2018 Springer International Publishi

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21#
發(fā)表于 2025-3-25 06:34:38 | 只看該作者
Global Perspectives on Higher Educationreative mind and creative behaviour. This chapter attempts to contribute to this effort, by reviewing the literature on brain activity and creativity, within the theoretical framework offered by the multivariate approach. According to this approach the multidimensional creative process is conceptual
22#
發(fā)表于 2025-3-25 09:20:23 | 只看該作者
,The Puzzle of Coalition “Defection”,s to arts and sciences. But how does the brain produce creative ideas? This question has been addressed in cognitive neuroscience research by measuring the brain activation during creative idea generation using different techniques such as EEG and MRI. This chapter introduces some of the key finding
23#
發(fā)表于 2025-3-25 12:18:28 | 只看該作者
24#
發(fā)表于 2025-3-25 17:04:09 | 只看該作者
25#
發(fā)表于 2025-3-25 22:36:06 | 只看該作者
nd a worldwide increasing and scientifically active community we face an obvious confusion of terminology and a lack of standard research methods to base our research on. The initial question to be addressed for researchers in the field of aesthetics is whether they aim to research aesthetics regard
26#
發(fā)表于 2025-3-26 00:32:40 | 只看該作者
27#
發(fā)表于 2025-3-26 07:28:53 | 只看該作者
Simone L?ssig,Karl Heinrich Pohle of the most striking examples of a mono-economy state, could suffer from this crisis heavily in the future. For their artistic project, the authors teamed up with French scientists who work on the revolutionary replacement of petrol-based products with the more environmentally friendly bioderived
28#
發(fā)表于 2025-3-26 12:15:38 | 只看該作者
Helga Schneider,Christopher E. Ruddpainters during the creative process of artistic visual patterns, and by beholders while painting viewing. But philosophers and modern neuroscience have challenged this kind of unimodal and classical framework of perception. Any perception, and more importantly the aesthetic one, is a complex multim
29#
發(fā)表于 2025-3-26 13:06:13 | 只看該作者
https://doi.org/10.1057/9781137440006sked to stand in quiet stance in the middle of Carsten H?ller’s “Light Corner” (2001). This artwork, one of the first of the Dynamo exhibition, was a room (three walls, the fourth side being the entrance) covered with light bulbs flickering while speakers displayed sound vibrations at similar fast-p
30#
發(fā)表于 2025-3-26 18:51:58 | 只看該作者
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