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Titlebook: Exploring Music Contents; 7th International Sy S?lvi Ystad,Mitsuko Aramaki,Kristoffer Jensen Conference proceedings 2011 Springer-Verlag Gm

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11#
發(fā)表于 2025-3-24 06:26:30 | 只看該作者
Identifying Attack Articulations in Classical Guitarnd or model music expressivity; to identify the expressive resources that characterize an instrument, musical genre, or performer; or to build synthesis systems able to play expressively. Our research is focused on the study of classical guitar and deals with modeling the use of the expressive resou
12#
發(fā)表于 2025-3-24 07:25:57 | 只看該作者
Comparing Approaches to the Similarity of Musical Chord Sequencesfocuses on the similarity of musical notation or musical audio, in this paper we specifically use on the symbolic chord description as the primary musical representation. For an experiment, a large chord sequence corpus was created. In this experiment we compare a geometrical and an alignment approa
13#
發(fā)表于 2025-3-24 13:53:30 | 只看該作者
Songs2See and GlobalMusic2One: Two Applied Research Projects in Music Information Retrieval at Fraunof Music Information Retrieval. The Songs2See project is supported by the Thuringian Ministry of Economy, Employment and Technology through granting funds of the European Fund for Regional Development. The target outcome of this project is a web-based application that assists music students with the
14#
發(fā)表于 2025-3-24 15:03:48 | 只看該作者
15#
發(fā)表于 2025-3-24 19:26:26 | 只看該作者
A Database Approach to Symbolic Music Content Managementat allow an in-depth management of musical content. In order to cope with the flexibility of music material, the language is designed to easily incorporate user-defined functions at early steps of the query evaluation process. We describe our architectural vision, develop a formal description of the
16#
發(fā)表于 2025-3-25 01:30:05 | 只看該作者
Conference proceedings 2011 held in Málaga, Spain, in June 2010. The 22 revised full papers presented were specially reviewed and revised for inclusion in this proceedings volume. The book is divided in five main chapters which reflect the present challenges within the field of computer music modeling and retrieval. The chapt
17#
發(fā)表于 2025-3-25 05:14:42 | 只看該作者
0302-9743 of the 7th International Symposium on Computer Music Modeling and Retrieval, CMMR 2010, held in Málaga, Spain, in June 2010. The 22 revised full papers presented were specially reviewed and revised for inclusion in this proceedings volume. The book is divided in five main chapters which reflect the
18#
發(fā)表于 2025-3-25 08:55:08 | 只看該作者
Science before the Medieval Period,s described: the whole music system is split into several web services sharing an unique music representation. . is proposed as the interchangeable music data format based on the solid and flexible . representation. A web browser-based graphic environment is developed as the user interface for the Computer Music Cloud as music web applications.
19#
發(fā)表于 2025-3-25 14:24:46 | 只看該作者
Reading Strasbourg 368: A Thrice-Told Tale to address the problem of stimulus selection and categorization of sounds in the context of perception research. This paper introduces what we call abstract sounds with the existing musical background and shows their relevance for different applications.
20#
發(fā)表于 2025-3-25 19:32:18 | 只看該作者
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