Titlebook: Explorations in Art and Technology; Linda Candy,Ernest Edmonds,Fabrizio Poltronieri Book 2018Latest edition Springer-Verlag London Ltd., p

世俗

A Million Millennial MedicisIn this article, the artist who wrote the program that made the computer artist AARON reflects on what it means to make art that goes on generating paintings after you are no longer here. The implications for artists and art itself make fascinating reading.

seruting

Structure in Art PracticeThis article charts the personal development of a pioneer of computer art who began that work more than fifty years ago when he used a computer for the first time to perform an art task. It describes his generative time-based art, later thinking behind his interactive art employing image recognition and his formal structural approach to colour.

圖表證明

The Computer: An Intrusive InfluenceThis article presents the personal view of a painter with no training in the fields of science or technology. Nevertheless, in the course of a long career, he came to realize the inescapable value that the computer has to offer. For this he relies on the research of others for the raw materials of his project about patterns of space in the mind.

narcissism

逃避系列單詞

Realizing Digital ArtworksArtists who aspire to using digital techniques in their artworks often require assistance from electronics and software engineers. It is the job of the engineers to collaborate in order to provide elements that will provide this support. This article discusses the experience of one such engineer.

STYX

無畏

Art as Digital Exploration (Vectors and Nodes)This article builds upon the earlier account of the author’s practice in art and technology within the COSTART artist residencies (1998–2003) and shows the new directions taken since that time. His practice involves research across disciplines, programming and live performance with public participation as well as collaboration with other artists.

ARC

https://doi.org/10.1007/978-3-030-56156-7hibitions of computer art in 1965, both in Germany and in the USA. One of the artists who showed in that year was Frieder Nake. In 1966, Billy Kluver founded Experiments in Art and Technology, E.A.T., in New York. By 1968 a small number of artists were using computers, in various ways, to produce th

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Comprise