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Titlebook: Exploration and Meaning Making in the Learning of Science; Bernard Zubrowski Book 2009 Springer Science+Business Media B.V. 2009 Curriculu

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發(fā)表于 2025-3-21 19:06:48 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Exploration and Meaning Making in the Learning of Science
編輯Bernard Zubrowski
視頻videohttp://file.papertrans.cn/320/319385/319385.mp4
概述Addresses issues that are infrequently considered in science education.Discusses the relationship between affect and cognition in learning science concepts.Gives special attention to the role of aesth
叢書名稱Innovations in Science Education and Technology
圖書封面Titlebook: Exploration and Meaning Making in the Learning of Science;  Bernard Zubrowski Book 2009 Springer Science+Business Media B.V. 2009 Curriculu
描述Mountaineers, Rock Climbers, and Science Educators Around the 1920s, rock climbing separated from mountaineering to become a separate sport. At that time European climbers developed new equipment and techniques, enabling them to ascend mountain faces and to climb rocks, which were considered unassailable up to that time. American climbers went further by expanding and improving on the equipment. They even developed a system of quantification where points were given for the degree of difficulty of an ascent. This system focused primarily on the pitch of the mountain, and it even calculated up to de- mals to give a high degree of quantification. Rock climbing became a technical system. Csikszentmihaly (1976) observed that the sole interest of rock climbers at that time was to climb the rock. Rock climbers were known to reach the top and not even glance around at the scenery. The focus was on reaching the top of the rock. In contrast, mountaineers saw the whole mountain as a single “unit of perc- tion. ” “The ascent (to them) is a gestalt including the aesthetic, historical, personal and physical sensations” (Csikszentmihaly, 1976, p. 486). This is an example of two contrasting approa
出版日期Book 2009
關(guān)鍵詞Curriculum; aesthetics in teaching science; education; learning; play in teaching science; science educat
版次1
doihttps://doi.org/10.1007/978-90-481-2496-1
isbn_softcover978-94-007-3035-9
isbn_ebook978-90-481-2496-1Series ISSN 1873-1058 Series E-ISSN 2213-2236
issn_series 1873-1058
copyrightSpringer Science+Business Media B.V. 2009
The information of publication is updating

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,A Grade 1–9 Curriculum Framework Composed of Archetypical Phenomena and Technological Artifacts, in a special bottle arrangement. Two soda bottles are connected with a special tube containing two different liquids. (Drawing of special device is from Salad Dressing Physics. Permission granted from Kelvin the publisher of the curriculum.) When this arrangement is turned over, each liquid moves t
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An Alternative Paradigm as a Basis for a Holistic Approach to Science Education,gram. These need to be informed by a broader scheme that gives a sense of a how learning can be fostered and guided. I propose an alternative Paradigm to the current engineering approach to science education. The alternative Paradigm gives greater emphasis to the role of sensory experience and the r
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The Body Image and Feelings in Science Learning,each team siphoned water from a bucket sitting on a table causing their models to move in a larger bucket on the floor while lifting a cup of nails. The teacher had guided them to consider two types of possible actions of the model waterwheel. Some groups tried to see how many nails they could lift.
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Movement in Explorations, Gestural Representations, and Communication,few drops of food color from a container and then move a Popsicle stick through the drops. Depending on how smoothly and slowly they move the stick, various kinds of patterns are formed. Often a variety of vortex shapes appear which can be as big as 8 to 10 in. or as small as an inch. Also, the drop
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Aesthetics in the Learning of Science,nded particles that readily show the movement of the water.) They place drops of food color at various points in the tray and either blow on the food color to make it move or move a Popsicle stick through these patches of color. The resulting patterns are either curved lines or spirals of different
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