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Titlebook: Expanding Adaptation Networks; From Illustration to Kate Newell Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Literary Ada

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樓主: 債務(wù)人
21#
發(fā)表于 2025-3-25 04:31:59 | 只看該作者
22#
發(fā)表于 2025-3-25 09:05:54 | 只看該作者
Book 2017dge and memory of a work is constructed through reiterative processes and proposes a network-based model of adaptation to explain this. Whereas most adaptation studies prioritize film and television, this book’s focus on print invites new entry points for the study of adaptation..
23#
發(fā)表于 2025-3-25 12:07:03 | 只看該作者
Doris Gr?ve Miescher,Charlotte Holzerwhich illustrations in illustrated novels are coded to elicit particular readings that can impact readers’ interpretations of a work by resolving ambiguities or visualizing aspects absent from the prose narrative.
24#
發(fā)表于 2025-3-25 17:49:15 | 只看該作者
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發(fā)表于 2025-3-25 22:13:39 | 只看該作者
26#
發(fā)表于 2025-3-26 04:04:24 | 只看該作者
2634-629X .Presents ephemera as central to adaptation and the developmThis book addresses print-based modes of adaptation that have not conventionally been theorized as adaptations—such as novelization, illustration, literary maps, pop-up books, and ekphrasis. It discusses a broad range of image and word-base
27#
發(fā)表于 2025-3-26 08:10:54 | 只看該作者
,“It Wasn’t Like That in the Movie”: Novelization and Expansion,6), or backstory and social context, as in the case of the novelization of . (1992). In an examination of . (2003), the novelization of the show’s seventh season, I look also at the manner in which novelization can expand the range of intertexts through which a given work or franchise is viewed. Usi
28#
發(fā)表于 2025-3-26 10:24:38 | 只看該作者
Literary Maps and the Creation of a Legend,emphasizes appreciation over user interaction, whereas the other privileges the reader and posits interactivity as appreciation. I conclude the chapter with a brief look at contemporary digital literary mapping projects and consider their contribution to adaptation and adaptation networks.
29#
發(fā)表于 2025-3-26 13:40:24 | 只看該作者
Pop-up Books: Spectacle and Story, Gunning’s definitions of “cinema of attractions” and “cinema of narrative integration,” I distinguish between spectacle-focused pop-up adaptations, which I call “l(fā)iterature of attractions,” and narrative-focused pop-up adaptations, which I call “pop-up of narrative integration.” I conclude the chap
30#
發(fā)表于 2025-3-26 20:39:22 | 只看該作者
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