Titlebook: Existentialism and Social Engagement in the Films of Michael Mann; Vincent M. Gaine Book 2011 Palgrave Macmillan, a division of Macmillan

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Utopia Lost in , (1992)Within Mann’s ., it maintains the existential theme, mourning an existentially authentic and conscientious society ‘now almost entirely lost’ (Brereton, 2005: 97) due to bad faith. This chapter discusses the presentation of that society within the film, while also intersecting with debates over colonial America and Native Americans in film.

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Introductiony have defined their existence, and the preceding and subsequent events are the consequences of their own personal philosophies, giving them complete freedom and respon-sibility for the world that they inhabit.

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