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Titlebook: Exhibiting the Nazi Past; Museum Objects Betwe Chloe Paver Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 museums.exhibitio

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發(fā)表于 2025-3-21 18:53:45 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Exhibiting the Nazi Past
副標(biāo)題Museum Objects Betwe
編輯Chloe Paver
視頻videohttp://file.papertrans.cn/319/318536/318536.mp4
概述Surveys the full range of history exhibitions about National Socialism in Germany and Austria in the last ten years.Examines the question of exhibiting the past specifically in terms of the museum obj
叢書名稱The Holocaust and its Contexts
圖書封面Titlebook: Exhibiting the Nazi Past; Museum Objects Betwe Chloe Paver Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 museums.exhibitio
描述This book is the first full-length study of the museum object as a memory medium in history exhibitions about the Nazi era, the Second World War, and the Holocaust. Over recent decades, German and Austrian exhibition-makers have engaged in significant programmes of object collection, often in collaboration with witnesses and descendants. At the same time, exhibition-makers have come to recognise the degree to which the National Socialist era was experienced materially, through the loss, acquisition, imposition, destruction, and re-purposing of objects. In the decades after 1945, encounters with material culture from the Nazi past continued, both within the family and in the public sphere. In analysing how these material engagements are explored in the museum, the book not only illuminates a key aspect of German and Austrian cultural memory but contributes to wider debates about relationships between the human and object worlds.
出版日期Book 2018
關(guān)鍵詞museums; exhibitions; curation; material culture; National Socialism
版次1
doihttps://doi.org/10.1007/978-3-319-77084-0
isbn_softcover978-3-030-08366-3
isbn_ebook978-3-319-77084-0Series ISSN 2731-5711 Series E-ISSN 2731-572X
issn_series 2731-5711
copyrightThe Editor(s) (if applicable) and The Author(s) 2018
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-22 00:14:46 | 只看該作者
Caroline Drie?nhuizen,Martijn van der Burg. This helps exhibition visitors to understand that the apparently simple historic date ‘1945’ is in fact a complex series of shifts and transitions, experienced differently from different social positions.
板凳
發(fā)表于 2025-3-22 02:14:39 | 只看該作者
The Solar Wind in the Outer Heliosphere,ame time, they can show how Germany and Austria began to face up to their past through the preservation of material traces. In some cases, they can view even this process of enlightenment critically in retrospect.
地板
發(fā)表于 2025-3-22 05:42:44 | 只看該作者
5#
發(fā)表于 2025-3-22 09:33:25 | 只看該作者
Material Collapse, 1945,. This helps exhibition visitors to understand that the apparently simple historic date ‘1945’ is in fact a complex series of shifts and transitions, experienced differently from different social positions.
6#
發(fā)表于 2025-3-22 13:20:38 | 只看該作者
Material After-Lives Between the Attic and the Archive,ame time, they can show how Germany and Austria began to face up to their past through the preservation of material traces. In some cases, they can view even this process of enlightenment critically in retrospect.
7#
發(fā)表于 2025-3-22 17:02:11 | 只看該作者
Conclusion,ms. Finally, the Conclusion looks forward to the work that might be done in future to understand the transition to a new generation of democratic exhibitions about National Socialism and the Holocaust.
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發(fā)表于 2025-3-22 21:37:13 | 只看該作者
9#
發(fā)表于 2025-3-23 04:37:24 | 只看該作者
Lea Hagoel,Devorah Kalekin-Fishmaners the importance of emotions and mentalities for scholarship on National Socialism, and how these are written into or drawn out of museum objects. And it considers how the life cycle of the object, something shared by all material culture, becomes part of the narrative to be exhibited in exhibitions about the years 1933–45.
10#
發(fā)表于 2025-3-23 06:08:39 | 只看該作者
Introduction,l culture, often with personal narratives attached. The introduction also surveys the range of history exhibitions on show in Germany and Austria today and identifies key preoccupations of scholarship in this field.
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