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Titlebook: Exhibiting Modernity and Indonesian Vernacular Architecture; Hybrid Architecture Yulia Nurliani Lukito Book 2016 Springer Fachmedien Wiesb

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發(fā)表于 2025-3-21 19:58:53 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Exhibiting Modernity and Indonesian Vernacular Architecture
副標題Hybrid Architecture
編輯Yulia Nurliani Lukito
視頻videohttp://file.papertrans.cn/319/318535/318535.mp4
概述Includes supplementary material:
圖書封面Titlebook: Exhibiting Modernity and Indonesian Vernacular Architecture; Hybrid Architecture  Yulia Nurliani Lukito Book 2016 Springer Fachmedien Wiesb
描述.In her research Yulia Nurliani Lukito analyses modernity and the construction of culture by the authorities using the images of Indonesian vernacular architecture presented at three different sites and times. She argues that modernity is not solely constructed by the authorities, rather it is an ongoing process modified by visitors of exhibitions. Pasar Gambir was a laboratory of modernity for the colony, and an important stage in modernizing and negotiating cultural and social conditions in the colony. The Dutch Pavilion at the 1931 colonial exhibition became a moment when the Indies heritages played a role in marking colonial territory. Modern ethnographic park of Taman Mini gives a way to the making of an official ‘a(chǎn)uthentic’ culture and suppresses the previous Dutch construction of the Indies culture.?.
出版日期Book 2016
關(guān)鍵詞Modernity; Hybrid architecture; Indonesia vernacular architecture; colonial exhibition; Indies culture; c
版次1
doihttps://doi.org/10.1007/978-3-658-11605-7
isbn_softcover978-3-658-11604-0
isbn_ebook978-3-658-11605-7
copyrightSpringer Fachmedien Wiesbaden 2016
The information of publication is updating

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沙發(fā)
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板凳
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The Dutch Pavilion at the 1931 International Colonial Exhibition in Paris: Contrasting Authenticitygress and spread across the globe. One such development was the colonial exhibition in which non- Western cultures were partially brought as artifacts and were exhibited as pavilions in Western cities. The architectural representations, displays and performances in colonial exhibitions nourished an
地板
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From the Earth‘s Core to Outer SpaceEast Indies. The above statement of Meyroos, the Chairman of the Pasar Gambir Committee, illustrated the popularity of Pasar Gambir, and how the fair was associated with lights and leisure, two signs of modernity in the Dutch colony. There had been other exhibitions in other parts of the East Indies
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發(fā)表于 2025-3-22 19:57:22 | 只看該作者
Ben Jongbloed,Han Van Der Knoop, a cultural ascendancy of the middle class, and a quest for a suitable cultural form for the new urban society. These phenomena were the result of a growing number of commercial businesses in the colony that created a growing number of middle class people. Parallel to the new opportunity in busines
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發(fā)表于 2025-3-22 22:08:24 | 只看該作者
https://doi.org/10.1057/9781137522023gress and spread across the globe. One such development was the colonial exhibition in which non- Western cultures were partially brought as artifacts and were exhibited as pavilions in Western cities. The architectural representations, displays and performances in colonial exhibitions nourished an
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