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Titlebook: Evolving Hamlet; Seventeenth-Century Angus Fletcher Book 2011 Angus Fletcher 2011 Hamlet.King Lear.Macbeth.tragedy.William Shakespeare.Bri

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發(fā)表于 2025-3-21 18:01:35 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Evolving Hamlet
副標(biāo)題Seventeenth-Century
編輯Angus Fletcher
視頻videohttp://file.papertrans.cn/319/318108/318108.mp4
叢書名稱Cognitive Studies in Literature and Performance
圖書封面Titlebook: Evolving Hamlet; Seventeenth-Century  Angus Fletcher Book 2011 Angus Fletcher 2011 Hamlet.King Lear.Macbeth.tragedy.William Shakespeare.Bri
描述Using Hamlet and a number of other popular and influential seventeenth-century tragedies as case-studies, this book shows how aesthetic experience can help organize the biological functions of our brains into adaptive social networks.
出版日期Book 2011
關(guān)鍵詞Hamlet; King Lear; Macbeth; tragedy; William Shakespeare; British and Irish Literature
版次1
doihttps://doi.org/10.1057/9780230118386
isbn_softcover978-1-349-29397-1
isbn_ebook978-0-230-11838-6Series ISSN 2945-7297 Series E-ISSN 2945-7300
issn_series 2945-7297
copyrightAngus Fletcher 2011
The information of publication is updating

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and the Subject of Ocular Proof, in which the lord exclaims, “Give me but proof of it, ocular proof!”. Echoing Othello’s demand that Iago give him “ocular proof” of Desdemona’s infidelity, Lord Touchwood imagines himself vaulting to the heights of tragic pathos. Instead, however, he catches himself in the low coils of dramatic iro
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and the Reason of New World Conflict,rth fully shod. Finding himself unable to reconcile this conflict of values, Volscius pulls off his boots, then puts them on, then pulls them off, then puts them on again. Finally, the befuddled knight hops off stage, wearing one boot and clasping the other. Volscius was a send-up of the heroes who
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發(fā)表于 2025-3-22 14:10:51 | 只看該作者
Cartesian Generosity and the New Shakespeare,fident in his own authority that he boldly scolds kings,. so lofty in his personal regard that he petitions his prospective father-in-law with the domineering: “Believe, old Man, that I her father knew: / What else should make . kneel to you?” (5.1.233–34). Even when the ghost of his own mother appe
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發(fā)表于 2025-3-22 20:42:32 | 只看該作者
and the Endurance of Tragedy,For the next hundred years, audiences agreed,. but in the nineteenth century, the play’s critical fortunes slowly reversed. Schlegel defended Cordelia’s death as a moral necessity, Keats celebrated its “close relationship with Beauty & Truth,” Coleridge insisted that it was grounded on the “moral ve
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The Progress of Ethics,ut practice or experiment. Since at least the time of Plato, philosophers had believed that the mind could discover “the measures of right and wrong” by relying entirely on its own private logic, deriving laws of behavior as perfect and incontestable as the laws of geometry. Indeed, it was for this
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發(fā)表于 2025-3-23 02:24:29 | 只看該作者
Conclusion,likely. Though it seems incredible that art could provide the missing link in a scientific ethics, seventeenthcentury tragedy suggests that it can. For try as it might, science cannot lend intention to life. The narrow purpose of its experimental method is to uncover the way that nature works, layin
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發(fā)表于 2025-3-23 06:55:28 | 只看該作者
Evolving Hamlet978-0-230-11838-6Series ISSN 2945-7297 Series E-ISSN 2945-7300
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