Titlebook: Evolutionary Computer Music; Eduardo Reck Miranda,John Al Biles Book 2007 Springer-Verlag London 2007 Audio.algorithms.automata.cognition.

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ADAGE

Evolutionary Computation for Musical Tasks, problem domain for EC researchers. Since we cannot hope to provide even a bare-bones treatise on music appreciation, much less music theory, we assume that the reader is at least somewhat familiar with music, if not as a producer, at least as a consumer. We will start by trying to define some music

esoteric

Evolution in Digital Audio Technology,hods has long been the El Dorado of the computer music community. Here is what James Moorer, the pioneering computer music researcher at Stanford University and later director of the audio project at Lucasfilm, had to say about it (Roads 1982):

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Experiments in Generative Musical Performance with a Genetic Algorithm,haping physical parameters of performance, such as timing, loudness, tempo and articulation. Expressive music performance research is aimed at establishing why, where and how these deviations take place in a piece of music. Interestingly, even though there are many commonalities in performance pract

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Composing with Genetic Algorithms: ,,ears, the author has written and rewritten a computer program called . that employs evolutionary computation. . has been used to help compose pieces ranging from works scored for solo human speaker to string quartets to orchestral works to pieces for instrumentalist and electronic computer music to

scoliosis

Improvizing with Genetic Algorithms: ,,a tune. As you pause outside to listen, it sounds like a tenor sax player backed up by a standard jazz trio of piano, bass and drums. You recognize the tune as John Coltrane’s . as the tenor player plays the song’s original melody in the first chorus of the tune. Once this ‘head’ chorus is complete,

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Cellular Automata Music: From Sound Synthesis to Musical Forms,delling dynamic systems in which space and time are discrete, and quantities take on a finite set of discrete values. CA are highly suitable for modelling music: music is fundamentally time-based and it can be thought of as a system in which a finite set of discrete values (e.g. musical notes, rhyth

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Background: Setting the Geopolitical Stagessues pertinent to musical applications of the methodology. Thus this chapter should furnish readers with the necessary background needed to understand the remaining chapters in this volume as well as open up a number of important themes relevant to this collection.