Titlebook: Evolution on British Television and Radio; Transmissions and Tr Alexander Hall Book 2021 The Editor(s) (if applicable) and The Author(s), u

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碎石

Situating the Story: The Early Years of Evolution on the Wireless,ian Huxley, and early BBC science producers embedded early broadcasts with a progressive evolutionary narrative. Influenced by many external pressures—including nineteenth-century popular science, belief in radio’s power to educate and personal eugenicist ideology—the chapter shows how restrictions

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憤怒歷史

Humanist Blockbusters: Depicting the Evolutionary Epic on Television,f humanist blockbusters to describe the approach to the evolutionary epic developed at the BBC, the chapter demonstrates how producers refined the abstract progressive narratives of earlier popular science for a primetime audience. The chapter introduces experimental approaches to science broadcasts

憤怒歷史

Creationism and Non-Darwinian Ideology in British Broadcasting,asts on both scientific criticism of evolutionary consensus and anti-evolution movements. The chapter demonstrates how in the 1980s an increased coverage of US creationism inadvertently gave a platform to an issue that was not part of mainstream discourse in the UK. The chapter argues that in using

Bouquet

Remembering or Deifying? The Darwin Anniversaries of 1959 and 2009,st on the Darwin Centenary in 1958–1959, the chapter explores how content reflected wider celebrations and their focus on the emergence of the modern evolutionary synthesis. The chapter demonstrates that media created for Darwin anniversaries has often reflected societal concerns of the day and argu

conformity

Methodologie und Methodisches Vorgehen,ments the chapter précis the idea developed across the subsequent chapters, that by analysing science media on evolution, we can understand how progressive and secular humanist narratives became embedded in the normative framings, narrative structures and visual devices used across broadcast genres today.

corpus-callosum

https://doi.org/10.1007/978-3-663-09972-7creationism as a narrative device to attract an audience, BBC science broadcasters sought to demarcate the boundary between science and pseudoscience, and in turn reinforced a dichotomous framing between evolution and religion.