Titlebook: Evaluating the Experiential Quality of Musical Instruments; A Psychometric Appro Gian-Marco Schmid Book 2017 Springer Fachmedien Wiesbaden

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書目名稱Evaluating the Experiential Quality of Musical Instruments影響因子(影響力)




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書目名稱Evaluating the Experiential Quality of Musical Instruments被引頻次




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書目名稱Evaluating the Experiential Quality of Musical Instruments年度引用




書目名稱Evaluating the Experiential Quality of Musical Instruments年度引用學(xué)科排名




書目名稱Evaluating the Experiential Quality of Musical Instruments讀者反饋




書目名稱Evaluating the Experiential Quality of Musical Instruments讀者反饋學(xué)科排名

隨意

Islam Between Culture and Politicserspective (Barbosa et al., 2015; Morreale, Angeli, & O’Modhrain, 2014). This emphasis has apparently been present since the beginning of the NIME-conference in 2001 and may be a result of the conference’s origin from the field of Human-Computer Interaction (HCI) (e.g. Wanderley & Orio, 2002).

MAIZE

Islam in German East Africa, 1885–1918ed interviews with various musicians from different backgrounds have been conducted in order to identify potentially important criteria. The thereby collected criteria were sorted by means of affinity diagramming. Semantically redundant criteria were dropped, resulting in a first list of potential questionnaire items.

馬具

https://doi.org/10.1057/9780230119291nsistencies, indicating a reliable measurement tool for the psychometric assessment of the experiential quality of different musical instruments. The present findings suggest that three interrelated latent facets contribute to this higher-level construct.

BRACE

擴(kuò)張

擴(kuò)張

Introduction,erspective (Barbosa et al., 2015; Morreale, Angeli, & O’Modhrain, 2014). This emphasis has apparently been present since the beginning of the NIME-conference in 2001 and may be a result of the conference’s origin from the field of Human-Computer Interaction (HCI) (e.g. Wanderley & Orio, 2002).

pulse-pressure

帶傷害

步履蹣跚

Book 2017& possibilities, (2) perceived control & comfort and (3) perceived stability, sound quality & aesthetics. This structure is similar to research regarding the conceptualization of violin quality. It is therefore suggested that musicians who use different instruments tend to have an analogical concept of instrument quality.