Titlebook: European Radio Documentary; A History of the For Tereza Reková Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive l

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My Perspective,The author of the book presents what she personally finds interesting about documentary production and why she deals with it professionally. She explains the basic rules of interviewing and expresses her passion for the craft.

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978-3-031-57187-9The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl

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https://doi.org/10.1007/978-3-030-28258-5 author of the book, Tereza Reková, explains her motivations to write the text and whets the readers appetite. She also addresses the terms . and . and offers a short characteristics of all the issues she deals with further in the book.

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Policy for Networks, Services, Digital Goodsn aspect often associated with audio production. Reková explains why the “blindness” is an advantage and addresses specific radio grammar and its methods of inspiring listeners’ imagination. Stories make us happy or sad—they make us feel emotions. Our feelings do not know the difference between fict

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Christian Czarnecki,Gunnar Authries—storytelling is an integral part of it. The concepts of “truth” and “reality” are deemed problematic in terms of documentary production. Reaching “absolute truth” is virtually impossible in a documentary, despite it being presented as the ultimate motivation by documentary makers. The message o

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Studies in Digital Politics and Governancebe interchanged on the international scene, which may cause terminological chaos. Reková compares the genres of the documentary and feature and brings a testimony of experienced and prominent radio creators about these significant fields of media production.

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https://doi.org/10.1007/978-3-031-22956-5-points regarding the documentary and feature making. However, you can find a plenty of useful tips and tricks for recording a documentary. Reková offers basic information about the narration in podcasts with a special attention to documentary podcasts. She also describes the differences in European