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Titlebook: European Cinema in the Streaming Era; Policy, Platforms, a Christopher Meir,Roderik Smits Book 2024 The Editor(s) (if applicable) and The A

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發(fā)表于 2025-3-21 19:25:33 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱European Cinema in the Streaming Era
副標(biāo)題Policy, Platforms, a
編輯Christopher Meir,Roderik Smits
視頻videohttp://file.papertrans.cn/317/316726/316726.mp4
概述Examines the impact of streaming platforms on European cinema.Describes how European film industry is responding to the subscription video-on-demand‘revolution.Brings together scholars working on vari
叢書名稱Palgrave European Film and Media Studies
圖書封面Titlebook: European Cinema in the Streaming Era; Policy, Platforms, a Christopher Meir,Roderik Smits Book 2024 The Editor(s) (if applicable) and The A
描述This collection examines the impact of streaming platforms on European cinema. It is structured from three distinct points-of-view: the policy issues related to streaming platforms, equally at the European level and in individual countries; the impact of platforms on the circulation of European films, including some of the global players, multi-national and single-nation platforms operating in Europe; and the production activities of the platforms in the form of specific ‘original’ films. By bringing together scholars working on various national cinemas, including those of France, Spain, Britain and other countries, this collection illuminates the many ways in which the European film industry is responding to the digital revolution..Chapter 5 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com..
出版日期Book 2024
關(guān)鍵詞Streaming; Cinema; SVOD; Transnationalism; European
版次1
doihttps://doi.org/10.1007/978-3-031-42182-2
isbn_softcover978-3-031-42184-6
isbn_ebook978-3-031-42182-2Series ISSN 2634-615X Series E-ISSN 2634-6168
issn_series 2634-615X
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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Policies for Independent UK Film in Europe Post-BrexitK film industry (Spicer 2019). There are also numerous practical ramifications for ‘producers, public film funds, regulators and service providers’ due to the way national classification can dictate the applicability of various regulatory rules and opportunities (European Audiovisual Observatory 202
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2634-615X lm industry is responding to the digital revolution..Chapter 5 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com..978-3-031-42184-6978-3-031-42182-2Series ISSN 2634-615X Series E-ISSN 2634-6168
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發(fā)表于 2025-3-22 13:12:46 | 只看該作者
Policy and Regulation of Global SVOD Platforms in Franceetween cultural and media policies?tend to be blurred. Since Netflix’s arrival in 2014, global SVOD platforms operating in France have made a decisive contribution to transforming an exceptionally structured and regulated ecosystem, calling for an adaptation of the policy and regulatory framework to
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發(fā)表于 2025-3-22 21:07:48 | 只看該作者
New Directive, Old Principles: EU Film Policy, Small National Cinemas and the Case of Portugal-19 pandemic, the Portuguese parliament approved a new cinema law. Prompted by the European Commission’s (EC) 2018 Audiovisual Media Services Directive (AVMSD), this legislative process generated national debate about how protective the law should be – or indeed could be -?given the guidelines estab
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Policies for Independent UK Film in Europe Post-Brexitave experienced considerable internal and external evaluation regarding their continued European identity. This has permeated all levels of debate over Brexit alongside the myriad practical issues that have accompanied the process of the UK leaving the European Union (EU). For the UK film industry,
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