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Titlebook: European Cinema and Television; Cultural Policy and Ib Bondebjerg,Eva Novrup Redvall,Andrew Higson Book 2015 The Editor(s) (if applicable)

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發(fā)表于 2025-3-21 19:39:15 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱European Cinema and Television
副標題Cultural Policy and
編輯Ib Bondebjerg,Eva Novrup Redvall,Andrew Higson
視頻videohttp://file.papertrans.cn/317/316724/316724.mp4
叢書名稱Palgrave European Film and Media Studies
圖書封面Titlebook: European Cinema and Television; Cultural Policy and  Ib Bondebjerg,Eva Novrup Redvall,Andrew Higson Book 2015 The Editor(s) (if applicable)
描述This book offers comparative studies of the production, content, distribution and reception of film and television drama in Europe. The collection brings together scholars from the humanities and social sciences to focus on how new developments are shaped by national and European policies and practices, and on the role of film and television in our everyday lives. The chapters explore key trends in transnational European film and television fiction, addressing issues of co-production and collaboration, and of how cultural products circulate across national borders. The chapters investigate how watching film and television from neighbouring countries can be regarded as a special kind of cultural encounter with the possibility of facilitating reflections on national differences within Europe and negotiations of what characterizes a national or a European identity respectively. ?.
出版日期Book 2015
關鍵詞Europe; film; television; heritage; everyday lives; media; cinema
版次1
doihttps://doi.org/10.1057/9781137356888
isbn_softcover978-1-349-67556-2
isbn_ebook978-1-137-35688-8Series ISSN 2634-615X Series E-ISSN 2634-6168
issn_series 2634-615X
copyrightThe Editor(s) (if applicable) and The Author(s) 2015
The information of publication is updating

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European Cinema and Television978-1-137-35688-8Series ISSN 2634-615X Series E-ISSN 2634-6168
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Die Aufgabenstellung der Untersuchung,opean movies on television? In this chapter, I begin to answer these questions through a case study of a German focus group, and by developing an appropriate theoretical and methodological framework. I should stress that the case study itself is a very modest and exploratory piece of work. It is not
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https://doi.org/10.1007/978-3-663-04676-9ork. At the European level, the MEDIA programmes (now part of Creative Europe) and the Eurimages fund form its most prominent elements. As the film sector in Europe is in the midst of a digital transition, their further articulation will contribute to how future borders in this sector will be shaped
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,Werkzeugverschleiss Beim R?umen, But it is also, by definition, a European cinema, while some of its films receive European funding, and many more are distributed in other European territories besides the UK itself. What then does British cinema look like in the context of Europe? How involved in European production developments a
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