Titlebook: European Aestheticism and Spanish American Modernismo; Artist Protagonists Kelly Comfort Book 2011 Palgrave Macmillan, a division of Macmi

Obverse

結(jié)果

Innovative

Technik der Eileiterdurchblasung,(artistic and otherwise) that are not commonly afforded to other turn-of-the-century authors and artists who struggle with the lack of salability and marketability of their artistic creations. Despite these significant differences between the artist as dandy-aesthete and more traditional artist type

笨拙處理

Anmerkungen und Zitatnachweise, who fit the mold. Aside from José Fernández, the main character of José Asunción Silva’s only novel . (., written in 1896, first published posthumously in 1925),. there really are not any obvious protagonists on par with European literary heroes such as Huysmans’s Des Esseintes or Wilde’s Lord Henr

Bucket

https://doi.org/10.1007/978-3-322-87998-1ntion Baudelaire, and to a lesser degree Gutiérrez Nájera) were known primarily as poets, it is indeed significant that I have chosen examples from their prose works. I wish to dedicate this concluding chapter to a discussion of some of the justifications for this decision as well as the varying con

精美食品

Introduction: Redefining the Role of Art and the Artist at the Turn of the Centurycomfortable” in what is most certainly a brothel. This former “drinker of quintessences” and “eater of ambrosia” has no intention of placing a lost-and-found ad or filing a claim at the police station for the missing aureola. His former insignia, now simply lost property and an exchangeable commodit

Foreshadow

The Artist as Critic and Liar: The Unreal and Amoral as Art in Oscar Wilded a major role in nineteenth-century British culture in general,. Wilde’s particular appropriation of this already dominant discourse proves tactically useful for establishing his own anti-establishment poetics and overtly aestheticist doctrine. My examination of the reuse and abuse of Plato and Ari

Exuberance

懶鬼才會(huì)衰弱

The Artist as Creator Not Producer: The Unsold and Unappreciated as Art in Rubén Daríohis way his discontent with a social system little interested in the products of pure creation [“en los frutos de la creación pura”]” (Szmetan 415, 417, translation mine). Darío’s societal concerns are best captured in three of his most famous short stories from the collection . (.): “El Rey Burgués

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The Artist as Dandy-Aesthete: The Self as Art in Oscar Wilde and Thomas Mann(artistic and otherwise) that are not commonly afforded to other turn-of-the-century authors and artists who struggle with the lack of salability and marketability of their artistic creations. Despite these significant differences between the artist as dandy-aesthete and more traditional artist type