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Titlebook: Eugenics and Physical Culture Performance in the Progressive Era; Watch Whiteness Work Shannon L. Walsh Book 2020 The Editor(s) (if applica

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書(shū)目名稱(chēng)Eugenics and Physical Culture Performance in the Progressive Era
副標(biāo)題Watch Whiteness Work
編輯Shannon L. Walsh
視頻videohttp://file.papertrans.cn/317/316436/316436.mp4
概述Traces how various sites of Progressive Era (1890–1920) physical culture performance became sites of whiteness-in-the-making.Demonstrates the de-racialization of whiteness through physical culture pra
叢書(shū)名稱(chēng)Palgrave Studies in Theatre and Performance History
圖書(shū)封面Titlebook: Eugenics and Physical Culture Performance in the Progressive Era; Watch Whiteness Work Shannon L. Walsh Book 2020 The Editor(s) (if applica
描述This book strives to unmask the racial inequity at the root of the emergence of modern physical culture systems in the US Progressive Era (1890s–1920s). This book focuses on physical culture – systematic, non-competitive exercise performed under the direction of an expert – because tracing how people practiced physical culture in the Progressive Era, especially middle- and upper-class white women, reveals how modes of popular performance, institutional regulation, and ideologies of individualism and motherhood combined to sublimate whiteness beneath the veneer of liberal progressivism and reform. The sites in this book give the fullest picture of the different strata of physical culture for white women during that time and demonstrate the unracialization of whiteness through physical culture practices. By illuminating the ways in which whiteness in the US became a default identity category absorbed into the “universal” ideals of culture, arts, and sciences, the author shows how physical culture circulated as a popular performance form with its own conventions, audience, and promised profitability. Finally, the chapters reveal troubling connections between the daily habits physical
出版日期Book 2020
關(guān)鍵詞Physical fitness; Dance; Feminism; New Woman; Eugenics; Race; Jim Crow; Kinesiology
版次1
doihttps://doi.org/10.1007/978-3-030-58764-2
isbn_softcover978-3-030-58766-6
isbn_ebook978-3-030-58764-2Series ISSN 2947-5767 Series E-ISSN 2947-5775
issn_series 2947-5767
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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,“These Walls Could Not Contain Me”: Social Motherhood at the YWCA,h YWCA Physical Culture Departments. Here, I look at the work of Abby Shaw Mayhew, Sargent’s student and the founding physical director at the Minneapolis YWCA (1893–1897), and later head of the national training program for YWCA physical directors. Whereas colleges could be selective in their admis
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,Racialized Surrogates in Bernarr Macfadden’s Physical Culture,ks. I begin with an analysis of Macfadden’s writings and visual imagery from his magazines, material that contested his own tireless promotion of domestic maternity by layering in connotations of excessive sexuality, white supremacy, and commercial capital. To entice his readers to adopt his methods
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Introduction: Exorcising a Forgotten Physical Culture,and class through performance theory in an effort to explore how physical culture’s corporeality was marshaled by and able to contest local and global systems of power being constructed by educational, medical, and corporate institutions at the time.
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