Titlebook: Ethnomusicology, Queerness, Masculinity; Silence=Death Stephen Amico Book‘‘‘‘‘‘‘‘ 2024 The Editor(s) (if applicable) and The Author(s) 2024

泥土謙卑

失望昨天

小爭(zhēng)吵

,We Don’t Need Another He(te)ro, such stereotypes alone is insufficient. As such, it is intellect and rationality, manifesting via the use and production of Theory (itself coded as masculine) that allow for the maintaining of power over the musical, the racialized Other, and the positivistic, feminized musicologist.

墻壁

(No) Body/(No) Homo,o discomfit and thus dislodge the discipline’s deep homophobic structuring. Ultimately, an embrace of the erotic, and the corporeally sexual, offers myriad possibilities for exploring the complexities of sexuality, race, and multiple sociocultural dynamics occluded by the decades-long, nearly exclusive focus on the textual/discursive.

obscurity

Affecting the Colonist,e differences between emotion and affect, it is ultimately argued that a queer embrace of both rage and its own capitalist/postmodern lineage would be instrumental in its annihilating occupation of ethnomusicology—a type of home work (rather than imperialist expansion) with salubrious consequences for a more global, epistemic equity.

為敵

Agricultural Land Use Patterns,he countless examples of ongoing depredation in contemporary society (from Wall Street to Chechnya) are argued as warranting heightened vigilance in order to prevent silence and silencing from equating with and engendering symbolic and material death.

無(wú)法治愈

Entrancing

Indecisive

mechanism