Titlebook: Ethnographies of ‘On Demand’ Films; Anthropological Expl Alex Vailati,Gabriela Zamorano Villarreal Book 2021 The Editor(s) (if applicable)

茁壯成長(zhǎng)

Walking Shadows?Rap: The Enchantment of Video and the Anthropologist as an Audiovisual Mediatorm southern Brazil. Starting from my role as an audiovisual facilitator in the band, I will analyze the potential of each of the production stages—preproduction, filming, and editing—in the ethnographic approach. I take the idea of “enchantment” from Alfred Gell (.) to understand how a double captiva

Phonophobia

種類(lèi)

canonical

Shooting Elites: An Ethnography of Wedding Film Production for Eliteshenomenon is probably one of the most relevant. Marriages, birthdays and births are some of the family events that videos turn into “facts” and memories. In these films we find highly sophisticated cinema languages and continuous aesthetic experimentation coupled to ingenious distribution strategies

Tempor

grandiose

小淡水魚(yú)

Multiple Videographies: From Promotional Documentaries to Music Videos of Andean Popular Music in thusic groups. The promotional nature of these productions leads us to an aspect of audiovisual practices that is commonly devalued in film criticism as mainly a product of advertising or institutional interest. This chapter proposes an exploration of the different forms of the promotion in these vide

Nostalgia

Eosinophils

現(xiàn)存

On-Demand Postscript: Emergent Engagements in the Anthropology of Imageser discussions in our field. Emerging literature on curatorship is largely devoted to exploring mutual intrusions between anthropology and contemporary art. Interestingly, vernacular forms of curatorial practices, which are characteristic of on-demand audiovisual production, could pave very producti