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Titlebook: Ethnic Modernisms; Anzia Yezierska, Zor Delia Caparoso Konzett Book 2002 Delia Caparoso Konzett 2002 aesthetics.critique.culture.film.histo

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發(fā)表于 2025-3-21 18:25:57 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱Ethnic Modernisms
副標(biāo)題Anzia Yezierska, Zor
編輯Delia Caparoso Konzett
視頻videohttp://file.papertrans.cn/317/316233/316233.mp4
圖書(shū)封面Titlebook: Ethnic Modernisms; Anzia Yezierska, Zor Delia Caparoso Konzett Book 2002 Delia Caparoso Konzett 2002 aesthetics.critique.culture.film.histo
描述This study explores a new understanding of modernism and ethnicity as put forward in the transnational and diasporic writings of Anzia Yezierska, Zora Neale Hurston, and Jean Rhys. In its selection of three modernists from apparently different cultural backgrounds, it is meant to make us rethink the role of modernism in terms of ethnicity and displacement. Konzett critiques the traditional understanding of the monocultural ‘ethnic identity‘ often highlighted in the studies of these writers and argues that all three writers are better understood as ironic narrators of diaspora and movement and as avant-garde modernists. As a result, they offer an alternative aesthetics of modernism which is centered around the innovative narration of displacement. Her analysis of the complexities of language and form and impact of the complex and ambiguous formal styles of the three writers on the history of their reception is a model of the effective integration of formalist, historicist, and theoretical perspectives in literary criticism.
出版日期Book 2002
關(guān)鍵詞aesthetics; critique; culture; film; history of literature; literary criticism; Modernism; Narration; Renais
版次1
doihttps://doi.org/10.1057/9780230107533
isbn_softcover978-1-349-38746-5
isbn_ebook978-0-230-10753-3
copyrightDelia Caparoso Konzett 2002
The information of publication is updating

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沙發(fā)
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https://doi.org/10.1007/978-3-642-91300-6d in 1919, which led to the publication of her first collection of short stories, .. The Hollywood studio Goldwyn immediately noticed her potential, paying generously for the film rights to her work and also hiring her as a scriptwriter. Goldwyn’s tremendous publicity campaign made Yezierska an over
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Bernd Brandl,Gottfried Schweigernization. By means of her narrative strategies and use of Immigrant English, Yezierska questioned the democratic promises that acculturation held up to the new immigrants and exposed its goal of cultural unity, ., as that which maintained rather than opened the boundaries of the nation’s already est
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https://doi.org/10.1057/9780230107533aesthetics; critique; culture; film; history of literature; literary criticism; Modernism; Narration; Renais
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發(fā)表于 2025-3-22 22:06:25 | 只看該作者
Wahrscheinlichkeitszusammenhang,e that the current restructuring of the canon and reading curricula have finally allowed us to overcome the disregard for ethnic literatures altogether. In her essay “The Politics of Fiction” Hazel Carby expresses perplexity over the belated justice that is apparendy done to the work of Hurston:
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rska, Zora Neale Hurston, and Jean Rhys. In its selection of three modernists from apparently different cultural backgrounds, it is meant to make us rethink the role of modernism in terms of ethnicity and displacement. Konzett critiques the traditional understanding of the monocultural ‘ethnic ident
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