Titlebook: Ethics in Screenwriting; New Perspectives Steven Maras Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 responsibility.morali

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Ethics Beyond the Code,sion of the morality of film under the Hays Office production code in the USA during the 1930s and 1940s. This approach limits discussion of ethics to a coded form of morality. Through careful analysis of the production code and its ethical discourse, Maras makes a case for the need for new perspect

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The Concept of ‘Double Storytelling’ in Danish Public Service TV Drama Production of the in-house drama unit (DR Fiction) at the Danish Broadcasting Corporation (DR) as a case study. Since 2003, DR has had certain production ‘dogmas’ for how to develop television drama series. The dogma of ‘double storytelling’ insists on series containing social and ethical themes beside ‘the g

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On Morals, Ethics and Screenwriting: An Interview with Jimmy McGovernGovern outlines the central place of morals and ethics in his conception of a good story. In addition, he teases out the importance of truth-telling and the need to be mindful of justice, especially when writing about historical events such as the Hillsborough Stadium tragedy, the Liverpool Docks di

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: An Ethical Auto-analysiseries . (2014) of which Packard was the lead writer and producer. Placing their work in the context of new theories of history writing, as well as a reconsideration of representation in ethnography and film studies, the chapter examines how the screenwriter of . negotiated and referred to a framewor

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