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Titlebook: Errant Bodies, Mobility, and Political Resistance; Gregory Blair Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 politics o

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21#
發(fā)表于 2025-3-25 06:59:12 | 只看該作者
22#
發(fā)表于 2025-3-25 07:34:42 | 只看該作者
,Parisian Drifters: Flanerie and Dérive,nstrated to be an errant body that utilizes movement through the city to actively resist and critique popular culture. A further claim is made that Bernstein’s proposal of dérive is perhaps the most radical because of its thorough infusion into the everyday as an ontology of getting out-of-place.
23#
發(fā)表于 2025-3-25 13:31:41 | 只看該作者
24#
發(fā)表于 2025-3-25 16:59:40 | 只看該作者
25#
發(fā)表于 2025-3-25 20:52:36 | 只看該作者
https://doi.org/10.1007/978-3-030-04185-4d and sidestepping its limitations in order to reach a new frontier. A diverse juxtaposition will bring together disparate “excursions into the wild” by Henry David Thoreau, Margaret Fuller, Jean Baudrillard, and Hamish Fulton in order to demonstrate how being in retreat can be a method of engagement—how getting lost can lead to discovery.
26#
發(fā)表于 2025-3-26 03:15:59 | 只看該作者
27#
發(fā)表于 2025-3-26 04:22:37 | 只看該作者
https://doi.org/10.1007/978-3-031-56832-9 The life and wanderings of Michelangelo Merisi da Caravaggio around Italy in the sixteenth century and the rambling banjo picker Charlie Poole will also be examined as significant influences on the modern Outlaw Country movement.
28#
發(fā)表于 2025-3-26 12:13:07 | 只看該作者
Rambling and Restlessness, The life and wanderings of Michelangelo Merisi da Caravaggio around Italy in the sixteenth century and the rambling banjo picker Charlie Poole will also be examined as significant influences on the modern Outlaw Country movement.
29#
發(fā)表于 2025-3-26 16:12:02 | 只看該作者
h by addressing research questions across political science,This book explores a type of wandering referred to as “errant bodies.” This form of wandering is intentional, without specific destination, and operates as a means of resistance against hegemonic forms of power and cultural prescriptions. B
30#
發(fā)表于 2025-3-26 17:43:29 | 只看該作者
https://doi.org/10.1007/978-3-031-28424-3oneia, the second part of the chapter considers how the Cynic philosophy is reflected in the activities and objectives of a traveling punk band. Focusing on the final years of formation as a band in which they were in a constant state of mobility, a case is made that in many ways the punk band Black Flag should be considered modern-day Cynics.
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