Titlebook: Epos Word, Narrative and the Iliad; Michael Lynn-George Book 1988 Michael Lynn-George 1988 antiquity.epic.history of literature.literature

verdict

https://doi.org/10.1007/978-1-349-07335-1antiquity; epic; history of literature; literature; poetics; poetry; Word

寄生蟲(chóng)

A精確的

玉米棒子

,Calcul dans une algèbre quotient,uld be questioned in the insistence on the enormity of the stake. In this more uncertain realm, where forms of recompense could be revoked, the risk denied reward, the sanctioned sacrifice of life could be seen as a gesture of pure expenditure incommensurate with any guarantee of exchange.

nerve-sparing

LANCE

chronicle

The Epic Theatre: the Language of Achilles, his useful analysis of Aristotle’s criticism of Homer, Hogan concludes the argument on this question: ‘It was Homer’s misfortune to have been born before that time when his genius would have found the genre to match it.’

松雞

Between Two Worlds, calm, and the tossing waters of the sea were stilled. The complete stillness suggests the sense of an eternal moment beyond the passage of time. And the Sirens ‘directed their sweet song toward us’, that enticing song which claims an ability to tell all:

Cpap155

The Epic Theatre: the Language of Achilles,e sense of the ‘stage’ has survived in Homeric criticism: ‘Homer, particularly in the ., is above all things dramatic. Half the poem consists of speeches and all the rest is put before us as though upon a stage — in fact, Homer invented drama before the theatre was invented to receive it’.. This con

漂泊

Mortal Loss and Epic Compensation, sacrifice of life; premature death is balanced by the promise of a form of immortal life. It might also be stated that the . power as poetry was to unsettle this very definition of its function. It was as if the simple certainties of celebration were resituated within a more indeterminate realm, wh