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Titlebook: Entertainment Values; How do we Assess Ent Stephen Harrington Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Video Games.Te

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樓主: Corrugate
21#
發(fā)表于 2025-3-25 04:49:11 | 只看該作者
22#
發(fā)表于 2025-3-25 09:46:38 | 只看該作者
How Can We Value Entertainment? And, Why Does It Matter?,is chapter sets out to explain how entertainment differs from other types of culture, why it is a useful term for defining domain of study, the limitations associated with medium-specific approaches, and why entertainment should be better understood.
23#
發(fā)表于 2025-3-25 15:02:41 | 只看該作者
What Is Entertainment? The Value of Industry Definitions, definition of ‘entertainment’. From an entertainment industry perspective, entertainment is defined and characterised by its audience-centred, commercial nature, rather than by its content, its genre, its audience, or the kind of emotional response it may or may not elicit from its consumers.
24#
發(fā)表于 2025-3-25 16:27:43 | 只看該作者
25#
發(fā)表于 2025-3-25 22:44:09 | 只看該作者
26#
發(fā)表于 2025-3-26 01:36:30 | 只看該作者
Background to Transatlantic Relations,a genre that I dub semi-fictional entertainment, which: contains narrative elements traditionally associated with fiction; relies on real-world events and issues and allows audiences to fold these together as part of everyday sense-making and social orientation.
27#
發(fā)表于 2025-3-26 05:57:05 | 只看該作者
28#
發(fā)表于 2025-3-26 09:40:19 | 只看該作者
Crossing Over: The Spiritualist Atlantic, of specific content, these participatory behaviours point towards broader cultural and ideological flows. The chapter focuses specifically on the #YesAllWomen and ‘not all men’ memes popularised in 2013, which illustrate memes’ ability to spur meaningful conversation, as well as the inescapably political standpoint of participants.
29#
發(fā)表于 2025-3-26 13:02:39 | 只看該作者
https://doi.org/10.1007/978-3-322-83323-5nse, despair and elation. It has an ending that is both happy and satisfying. And it is fun – particularly in its performances. It is important to take Hitchcock seriously as an entertainer – this chapter demonstrates how to value his films for that reason.
30#
發(fā)表于 2025-3-26 19:23:47 | 只看該作者
https://doi.org/10.1007/978-3-322-80721-2ertainment provides critical insight into public relations as a profession and as a practice. We explore how such representations reflect and refract audience understandings about PR, and how this in turn impacts the role and reputation of PR in our society.
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