Titlebook: Entertainment Computing - ICEC 2012; 11th International C Marc Herrlich,Rainer Malaka,Maic Masuch Conference proceedings 2012 IFIP Internat

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書目名稱Entertainment Computing - ICEC 2012影響因子(影響力)




書目名稱Entertainment Computing - ICEC 2012影響因子(影響力)學(xué)科排名




書目名稱Entertainment Computing - ICEC 2012網(wǎng)絡(luò)公開度




書目名稱Entertainment Computing - ICEC 2012網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Entertainment Computing - ICEC 2012被引頻次




書目名稱Entertainment Computing - ICEC 2012被引頻次學(xué)科排名




書目名稱Entertainment Computing - ICEC 2012年度引用




書目名稱Entertainment Computing - ICEC 2012年度引用學(xué)科排名




書目名稱Entertainment Computing - ICEC 2012讀者反饋




書目名稱Entertainment Computing - ICEC 2012讀者反饋學(xué)科排名

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Caring and Democratic Inclusion,, we present our look at late 19th century art works and the emergent set of visual features commonly used to create an atmosphere of horror in visual art. Further, we show how we transformed these features into a set of seven patterns to be used in interactive artistry, based on an analysis of six

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Towards a Philosophy of Cinematography beliefs on the facts of the mini-world in which the narrative takes place. In this paper, we present an approach to model such events within a plan-based storytelling context. Three kinds of such events are considered here, involving, respectively, inter-character communication, perception and reas

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The Human Body as the Singing Universe,only change dynamically with a parametric model of this aspect available. One aspect of digital games is yet missing such a systematic description: the genre of a game is currently only determined by its designer. This paper introduces a new approach that allows for dynamic blending between genres.

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