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Titlebook: Enhancing Creativity Through Story-Telling; Innovative Training Alessandro Antonietti,Paola Pizzingrilli,Chiara Va Book 2020 The Editor(s)

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11#
發(fā)表于 2025-3-23 10:53:22 | 只看該作者
https://doi.org/10.1007/978-3-642-20174-5but actually it refers to some scholastic-related contents that can be dealt by the teacher in the class. With reference to the first approach, the aim is to develop a reflexive attitude in students, so to increase self-awareness. Self-awareness is hinted in three different moments: before an action
12#
發(fā)表于 2025-3-23 16:43:04 | 只看該作者
13#
發(fā)表于 2025-3-23 20:09:01 | 只看該作者
,A Special School Year: The Programme “Developing Flexible Thinking”,but actually it refers to some scholastic-related contents that can be dealt by the teacher in the class. With reference to the first approach, the aim is to develop a reflexive attitude in students, so to increase self-awareness. Self-awareness is hinted in three different moments: before an action
14#
發(fā)表于 2025-3-24 01:40:12 | 只看該作者
15#
發(fā)表于 2025-3-24 03:38:06 | 只看該作者
16#
發(fā)表于 2025-3-24 09:01:01 | 只看該作者
17#
發(fā)表于 2025-3-24 13:49:06 | 只看該作者
,In Search of the Volcano’s Secret: The “Programme to Develop Children’s Creativity”,Some tutors accompany children in search of the secret of the volcano. During such a search children meet characters who personify psychological features which obstacle creativity. Children have to overwhelm the non-creative aspects of the situations they encounter and to adopt a productive and inno
18#
發(fā)表于 2025-3-24 16:02:46 | 只看該作者
,A Special School Year: The Programme “Developing Flexible Thinking”,rsion includes two different kinds of training: the metacognitive approach and the symbolic-imaginative approach. Both approaches have the same narrative plot, but they present two different styles: more structured in the metacognitive approach and more provocative in the symbolic-imaginative one. T
19#
發(fā)表于 2025-3-24 20:39:28 | 只看該作者
20#
發(fā)表于 2025-3-25 00:09:12 | 只看該作者
les. Each tale is framed in a different scenario (Ancient Egypt, Middle Age and so on). Each scenario is divided in episodes corresponding to work units. In both programmes activities (verbal, pictorial/graphic and practical) aimed at developing creative skills are included in some points of the narration.
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