Titlebook: English Theatre and Social Abjection; A Divided Nation Nadine Holdsworth Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 Eng

我在爭斗志

書目名稱English Theatre and Social Abjection影響因子(影響力)




書目名稱English Theatre and Social Abjection影響因子(影響力)學(xué)科排名




書目名稱English Theatre and Social Abjection網(wǎng)絡(luò)公開度




書目名稱English Theatre and Social Abjection網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱English Theatre and Social Abjection被引頻次




書目名稱English Theatre and Social Abjection被引頻次學(xué)科排名




書目名稱English Theatre and Social Abjection年度引用




書目名稱English Theatre and Social Abjection年度引用學(xué)科排名




書目名稱English Theatre and Social Abjection讀者反饋




書目名稱English Theatre and Social Abjection讀者反饋學(xué)科排名

Lipoma

,‘Anti-Northern Prejudice’: Representing the Northern Subaltern, representations of the North in theatre often returns to a number of recurring motifs and contributes to certain cultural imaginaries of the North that refuse to re-route. In particular, it identifies two key trends discernible in this representation that differently situate the best days of the No

和平主義者

,‘You’re All the Same, Lads with Bricks’: Riots and Rioters, in 2001 and the ‘shopping riots’ that spread from London to other English cities during the summer of 2011, speculation around the?causes and consequences of these riots have proved compelling starting points for several plays. This chapter examines the socially abjectifying narratives that re-surf

entice

Blighting These Green and Pleasant Lands: Gypsies and Travellers,pleasant land’. It argues that representations in popular culture typically fetishize Gypsy and Traveller communities as out of control, uncivilised, amoral and above all outside of what constitutes a ‘good’ society. Responding to this context it provides a detailed consideration of the first produc

deficiency

,‘The Beast That Lies Dormant in the Belly of Our Country’: Race, Nation and Belonging,ation, citizenship and belonging. It addresses plays that explore the consequences emerging from the legacies of the British Empire and slavery that serve to cast black citizens as inferior disruptive presences to be feared and contained. It also engages with the ways that theatre-makers have tackle

Communal

Communal

2634-5870 actices that question and challenge negative stigmatization, but also how theatre can contribute to the recirculation of problematic cultural imaginaries.978-1-137-59777-9Series ISSN 2634-5870 Series E-ISSN 2634-5889

Mangle

Nadine Holdsworthconceptually informed by political and social theory.covers a number of urgent social and political issues.offers lively and accessible analysis of a range of important plays and performances.

nepotism

outskirts